The Non-English Movie of The Week
Winter Sleep (Turkey, 2014) [IMDB: 8.6, Rotten Tomatoes: 86%, My Raing:7/10]
Winner of the Palme d’Or at the Cannes film festival in 2104, this is another masterwork from perennial Cannes favourite Nuri Bilge Ceylan. Set in the interiors of Turkey where everyone knows everyone, this movie tells the tale of a retired actor whiling away his time, doing pretty much nothing. He has a hotel to manage and he also writes articles on mundane issues. His running feuds with his wife and his divorced sister pale into insignificance when he has to address issues created by his tenants. The film captures the breathtaking locales and the cultural hues of Turkey. The performances are competent and the film has its moments but those moments are few and far between. This, is especially testing when you have to muster the patience to sit through 196 minutes of the movie. If it had chopped off 100 minutes from the running time, the movie would have looked much better. For its unjustifiable duration, ‘Winter Sleep’ can induce sleep even in the summer.
Movies I Saw This Week
Edge of Tomorrow (2014) [IMDB: 8.0, Rotten Tomatoes:90%, My Rating: 7.5/10]
This movie was a commercial flop and largely overlooked by the audiences in spite of the critical acclaim it received. Maybe some movies are not lucky enough at the box office because there is enough to suggest that this movie is one of the best action films of 2014. Set in the future where one man (Tom Cruise, who else?) is humanity’s last hope to fight an alien invasion, this movie brings in a cocktail of time travel, hi-tech combat and lofty ideals. Although Tom Cruise and Emily Blunt give mediocre performances when they could have easily put their histrionic qualities to test, the movie more than holds on its own. With enough twists and turns, it keeps you engaged without getting boring, inviting you to second guess the various permutations and combinations that are possible. Recommended.
The Imitation Game (2014) [IMDB: 8.3, Rotten Tomatoes: 90%, My Rating: 7.5/10]
Based on the life of legendary Alan Turing and his seminal contributions to the Allies’ efforts in breaking the German code during the Second World War, ‘The Imitation Game’ tries to delve into the life of a genius tormented by his sexuality. The movie has been tirelessly promoted in the build up to the Oscars but it is a good movie but not good enough. Benedict Cumberbatch gives all he can to bring Turing to life on screen and he is not let down by an ensemble cast, with another notable performance from Keira Knightley. The movie has a riveting background score and is ably directed. The moral dilemmas of Mr. Turing and his inability to make sound judgement when he is enjoined to not speak about a spy, are all captured well. The asperity of Mr.Turing did not endear him to many but that wouldn’t be the main roadblock for Cumberbatch to achieve Oscar glory. Unfortunately for him, there are better performances this year.
Unbroken (2014) [IMDB: 7.2, Rotten Tomatoes: 49%, My Rating: 6.5/10]
The moot point while watching ‘Unbroken’ is whether a better director could have done a better job with the source material on hand. Louis Zamperini, on whom the story is based, was a champion runner, decorated war hero and an inspirational speaker. His life had countless moments which would have looked great on screen but in director Angelina Jolie’s hands those moments look forced and tame. ‘Unbroken’ tells the story of Zamperini’s unlikey rise from humble origins, his remarkable success in athletics and the relentless torture that he had to undergo in a Japanese POW camp during the Second World War. Jack O’Connell gives an impressive performance in a breakout role. ‘Unbroken’ is a movie of great ambitions but lacks a soul. It is a lesson on how clichéd one can become when making a biopic and how disrespectful that can be to a legend who deserved better than this.
Birdman (2014) [IMDB: 8.6, Rotten Tomatoes;92%, My Rating: 8.0]
I am an admirer of deirector Alexandro Gonzalez Inarritu. I have loved his works like ‘Babel’ and ‘Amores Perros’. ‘Birdman’ is a shift from his usally dark depressing themes. In fact, there is even an element of mischief in this movie, which is being categorized as a comedy. The merits of that categorization aside, the film tells the story of a thespian who is tryng his best to stay relevant. Micael Keaton delivers a heavy duty performance as the protagonist who has seen better days. Shot in 10 minute uninterrupted sequences using one camera, the movie tries to play around with cinematic formats. Another highlight is an unconventional background score which many have hailed as groundbreaking but I found to be annoying. In terms of performances, this is the best performce by an ensemble cast in 2014. Michael Keaton will go head to head with Eddie Redmayne for this year’s Best Actor Oscar. The movie is also a strong contender in the film, director, cinematography and screenplay categories. The major disadvantage that the movie faces is that it is not a mass entertainer like ‘Boyhood’. This could prove to be its Achilles heel.
American Sniper (2014) [IMDB:7.6, Rotten Tomatoes:74%, My rating:7/10]
There is no movie dividing the critics and the audiences like this one. Seen by some as an unapologetic look at the American side of the story in the Iraq war and by another equally vociferous section as the story of a true American hero, this movie tells the story of the most successful sniper in the history of America who finally died from the gunshot wounds he received from ‘friendly fire’ when he was in USA. Judged purely on quality, the movies is a poor cousin of ‘The Hurt Locker’. There are many action sequences in the movie but none of them are good enough to capture your full attention. Many such scenes get repetitive. If the intention was to create a contrast between the life in a war zone and life at home, then the movie resoundingly fails to do so. The viewer will not be able to feel any compassion for the character on screen who is a monstrous sniper. Amercans have every right to (in fact, they should) honour a brave soldier who put his life in danger to serve his country. War movies are not supposed to be an examination of what the enemy feels about getting killed. Even if the hero here was convicted of slander in real life, it does not take away his service to the nation. Inspite of this, the movie is a very tedious one to watch and does not deserve the high praise it is getting. It also does not deserve the scorn that seems specially reserved for it. American sniper, in the end, is a an average movie about a great sniper directed by a once great director.
The Good Lie (2014) [IMDB: 7.4, Rotten Tomatoes: 87%, My Rating: 8/10]
After a mish mash of snipers, tortured geniuses, former superheroes and real life superheroes, comes the time to review a movie which is undoubtedly the feel good movie of the year. ‘The Good Lie’ is not a movie that will move mountains or has a scale or budget that will put it in the top league but for the sheer quality that it produces from its limited budget, it is one of the must see movies of 2014. The story traces the lives of orphaned Sudanese children trying to escape civil war in their country and their journey to USA. Effortlessly funny and charming, this movie has its heart in the right place. With enough doses of humour without becoming a comedy movie, the film is about real people in the real world. Must watch.
Documentary of the Week
Ivory Tower (2014) [IMDB: 6.9, Rotten Tomatoes: 83%, My rating: 6.5/10]
A look at the American college system. Very interesting to watch but misses some salient points.
Eagerly waiting for: ‘Timbuktu’. Should a good one. Also, I have been close to Timbuktu but never been there.
Did you know: Courtesy: http://www.rogerebert.com Roger Ebert’s review of M Night Shyamalan’s ‘The Village’ quoted below. “Eventually the secret of Those, etc., is revealed. To call it an anticlimax would be an insult not only to climaxes but to prefixes. It’s a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It’s so witless, in fact, that when we do discover the secret, we want to rewind the film so we don’t know the secret anymore.
And then keep on rewinding, and rewinding, until we’re back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets.”