Edition 110

The Non-English Movies of The Week

The Worst Person in the World (Norway, 2021) [IMDB: 7.9, Rotten Tomatoes: 97%, My Rating: 7.5]

This movie is about a lady who perpetually feels that the grass is greener on the other side whenever she weighs up her romantic relationships. The subsequent silly decisions she makes which leave behind a debris of relationships, often with tragic consequences, form the crux of the movie. Needless to say, its stature is bolstered by the multiple Oscar nominations it has received. Amusing for the most part, the film cannot be accused of being boring. It is a bit bitter and a bit sweet or shall we say a bit bittersweet.

Drive My Car (Japan, 2021) [IMDB: 7.8, Rotten Tomatoes: 98%, My Rating: 8.0]

A Saab 900 model car is the omnipresent item in this movie. So is an all pervading sense of grief. An actor who is past his best days plunges into unspeakable sadness with the death of his wife. He hires a driver who has an intriguing past. Together they heal. This movie merits a viewing for its acting and screenplay which are stellar. Though there are dozens of good road movies, this one is not about the road or the car or the journey. It is an exquisite drama. Watch it if you like high quality movies.

Lunana: A Yak in the Classroom (Bhutan, 2021) [IMDB: 7.5, Rotten Tomatoes: 100%, My Rating: 7.5]

‘Lunana’ is the surprise contender for this year’s foreign language category at the Oscars. And why not? It is a small Bhutanese movie shot in the “remotest school in the world” in a village called Lunana. Five minutes into the movie you can predict how it is going to progress. I guess three quarters of the Oscar nomination is for the scenery which is breathtaking. The other quarter is for the audacity to take it to the Oscars. The story is a simple one. A young teacher awaiting to migrate to Australia is sent on some sort of punishment to Lunana. The experience changes his life. There is nothing bitter about this one. It is all through a sweet movie.

Movies I Saw This Week

Licorice Pizza (2022) [IMDB: 7.7, Rotten Tomatoes: 91%, My Rating: 6.5]

I am yet to figure out how this one is nominated for the best picture at the Oscars. It clearly is a competent movie but the best picture nod is stretching things too far. I guess the nostalgia got to the Academy’s older voters. As for the plot, a fifteen year old boy falls in love with a 25 year old woman in the Nixon era in sunny California. He is a budding businessman and she is a little lost in life. They go their separate ways, meet up again and eventually she says ‘yes’ to him. The main actors are all making their debuts and they look assured in the hands of a much celebrated director.

Nightmare Alley (2021) [IMDB: 7.2, Rotten Tomatoes: 79%, My Rating: 7.5]

There is a scene almost midway through the film which (if you are an avid moviegoer like me will spot) gives away the plot of ‘Nightmare Alley’. A remake of a black and white classic, the film gets a royal makeover in the hands of Guillermo del Toro. For once, Bradley Cooper can be proud of his work. The supporting cast is splendid as well. The story is about a man who trains himself to be a mentalist and tries to test the limits of his skill often with fatal consequences. The director goes out of his way to show that the protagonist is a flawed character, thereby laying the groundwork for whatever tragedy befalls him. Tragedy does come in copious amounts in a movie which is ultimately a morality tale.

House of Gucci (2021) [IMDB: 6.7, Rotten Tomatoes: 62%, My Rating: 6.0]

Let me say it straight away. This is a bad movie with bad directing and terrible acting. The sorrow that I felt while watching the movie was from the realization that there was some great material available waiting to be shaped into a great movie. The script, direction and acting are unjust to what could have been a classic. Things are so bad that serious scenes look staged and funny. Jared Leto is insufferable. Adam Driver left the acting chops at home. Lady Gaga should stick to the singing. I am outraged that she got a best actress nomination at BAFTAs and is tipped to be the hot favourite to win. For what? This movie tells the rather eventful story of how the brand Gucci ended up with no one with that surname associated with it. There is infidelity, a gold-digger daughter-in-law, murder and intrigue at the core of the tale. This was an easy movie to make. How they botched it up is more interesting than the movie itself.

The Lost Daughter (2021) [IMDB: 6.7, Rotten Tomatoes: 95%, My Rating: 5.5]

I generally don’t like movies where the story has to be explained for the average Joe to understand what just happened. Apparently Maggie Gyllenhaal doesn’t share my sensibilities. In her debut feature, she asks the audience to please read the book from which the story is adapted. Coming to the story, it’s about a woman who does not like the idea of being a mother. Granted that motherhood is not for everyone. So what is the point? That the protagonist does not like being a mother. What else is there in the movie? Olivia Colman crying for no apparent reason as if she has been teargassed, Olivia Colman spending time on the beach, Olivia Colman trying her best to get another Oscar and so on and so forth. Yawn.

Don’t Look Up (2021) [IMDB: 7.2, Rotten Tomatoes: 56%, My Rating: 4.0]

Completing the terrible list of movies nominated for this year’s Oscars is this slow car (or comet) crash. Adam McKay has made enjoyable movies such as Anchorman, Vice and the Big Short. This movie is a demonstration of how bad things get when satire goes wrong. The world is going to end unless immediate action is taken and a few scientists know that. The scientists in question being DiCaprio and Weinstein favourite Lawrence. Truth be told, these are the last people who should be on television trying to explain the earth ending phenomena to viewers. Watching them do their silly act on television instead of blurting out with alarm what they know is in itself a mockery of the movie. There is too much preaching and a holier than thou attitude. If it is not for the people associated with this movie and the star power they bring to the table, this movie should be considered for the Razzies and not the Oscars. Two thumbs down.

Being the Ricardos (2021) [IMDB: 6.6, Rotten Tomatoes: 68%, My Rating: 6.0]

This is a real life story based on the life of Lucille Ball and the love of her life (that is, untill they divorced) Desi Arnaz who are linked to the communist party, when this equated with career death by association in Hollywood. The events during a tumultous week are covered in this breezy screenplay by Aaron sorkin. Nothing much happens though. Nicole Kidman is in the lead role playing an Oscar bait character while finding it impossible to move any muscles on her cheek. Is it Botox or is it the make up? You can devote half of your attention to this movie and do other chores with the other half if you plan to take up the challenge of watching it.

Encanto (2021) [IMDB: 7.3, Rotten Tomatoes: 91%, My Rating: 7.0]

‘Encanto’ has great animation. It has a sub-standard storyline, predictable scenes, unnecessary songs (a lot of them) and a clear target audience. To sum it up, it is in classic ‘Best Animation Oscar’ territory. A family in which the women have one specific small scale superpower (think of Superman and scale it down) are in an existential crisis as their powers wane. How they overcome this impending doom and gloom forms the rest of the movie. No prices for guessing whether it is a happy ending.

Documentary of the Week

Ascension (2021) [IMDB: 7.1, Rotten Tomatoes: 98%, My Rating: 8.0]

China is the factory of the world. This Oscar nominated documentary is a slightly unfocused look on how the Chinese live and work.

Eagerly waiting for:  ‘Writing with Fire’, the Oscar nominated documentary from India

Did you know: Betty White who died recently (aged 99) was (at the age of 88 and a half) the oldest person to ever host Saturday Night Live .

Edition 92

The Non-English Movie of The Week

Roma (Mexico, 2018) [IMDB: 7.9, Rotten Tomatoes: 96%, My Rating: 8.5]

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Poles apart from his previous venture ‘Gravity’ in scope and temperament, Alfanso Cuaron’s ‘Roma’ is a study of the unraveling of a family told through the eyes of the housemaid who herself is in the midst of a personal turmoil. Rumoured to be based on the director’s childhood, ‘Roma’ is undoubtedly the pinnacle of the director’s vision. It is a love letter to the housemaid and his childhood told with evocative images and a deep empathy for the characters at the centre of the story. The movie is also remarkable for its attention to detail. ‘Roma’ is a universal movie that would not be out of place in any time or geography. Must see.

Movies I Saw This Week 

Cold War (Poland, 2018) [IMDB: 7.7, Rotten Tomatoes: 93%, My Rating: 9.0]

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Deviating from the norm, I have included this Polish movie in this section of the blog because I loved this movie. I believe that it is one of the best movies of the year and would easily walk into the top three of the year. It is a searing love story set against the Cold War. With remarkable lead performances and memorable cinematography, ‘Cold War’ is an instant classic which is on a higher pedestal than the director’s previous work ‘Ida’. The political shenanigans and the intrigue of ‘Cold War’ are heightened by the drama and passion that the director brings into the movie. Two star crossed lovers go through hell as they cling on to the last shreds of hope when villains in the form of circumstances and people envelop them. For all my experience of watching thousands of movies, I never saw the ending coming. The climax of the movie is something that will etch this movie in your mind for a long time. Must see.

Green Book (2018) [IMDB: 8.3, Rotten Tomatoes: 94%, My Rating: 8.0]

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‘Green Book’ has been at the receiving end of a concerted campaign to discredit it ahead of the Oscars. Truth be told, this is the most topical film of the year with an excellent screenplay and commendable performances. Mahershala Ali is a shoo-in for the ‘Best Supporting Actor’ at the Oscars. ‘Green Book’ is a classic road movie which tells the true tale of an African American musician chauffeured by a Italian American in the racially volatile deep South during the 60s. ‘Green Book’ deals with important themes of racism, friendship and culture and emerges unscathed. The endearing movie is boosted by its charming sense of comedy. Overall, a very good movie which is worth your time.

Vice (2018) [IMDB: 7.2, Rotten Tomatoes: 66%, My Rating: 7.5]

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Adam Mckay holds back no punches is an all out assault on Dick Cheney in ‘Vice’. The director sticks to his signature style of film making which is a curious superimposition of the documentary style on a drama. Backed by first rate research, the movie reveals more about the events that catapulted Cheney into the driver’s seat in American politics and his links with the stakeholders. For the uninitiated, the movie also traces the depth of the relationship between the principal actors of the Bush-Cheney era. As a cinematic venture ‘Vice’ does fall flat on many occasions but it is a movie that needs appreciation for the mere fact that it was made.

The Favourite (2018) [IMDB: 7.8, Rotten Tomatoes: 94%, My Rating: 8.0]

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In a movie where all three female protagonists are evidently relishing the experience of acting to a fine script, ‘The Favourite’ tells the scheming that defined the reign of Queen Anne. Severely weighed down by her infirmities and declining health, Queen Anne is no more than a figurehead controlled by people with a plan. Her feeble attempts to assert herself only reveal the extent of her helplessness. Into the scene walks in another devious character played by Emma Stone and then all hell breaks loose. The director who rightfully receives an Oscar nomination does not paint the times in the class and elegance movies have tried to portray the times. There are frequent encounters with ‘other sections’ of the society. Ultimately, ‘The Favourite’ is a universal story of a seemingly powerful person in decline who is controlled by more nefarious elements. Realization comes late to the monarch and by then all possibilities of a course correction are exhausted. Highly recommended.

Can You Ever Forgive Me? (2018) [IMDB: 7.2, Rotten Tomatoes: 98%, My Rating: 7.5]

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Based on a true story and a bestselling book, this movie is a subversive take on the market for memorabilia. A down on her luck author, played memorably by Melissa McCarthy, conjures up a scheme to make some easy money. The movie is more of a social commentary on characters at the fringe of the society. Their small joys and a life which lurches from one crisis to another is shown with care in the movie. Watch it for Melissa McCarthy.

Bohemian Rhapsody (2018) [IMDB: 8.2, Rotten Tomatoes: 88%, My Rating: 7.5]

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Bohemian Rhapsody ticks all the boxes of a biopic but what elevates the movie are the sensational soundtrack and an award winning performance from Rami Malek as Freddie Mercury. Malek becomes Mercury and carries the movie on his shoulders from the first frame till the last one. The movie does not have any great surprises but is easy to watch and engaging. Recommended.

Widows (2018) [IMDB: 7.1, Rotten Tomatoes: 91%, My Rating: 7.0]

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‘Widows’ from director Steve McQeen is a heist movie with several undertones. Four women find themselves at life’s crossroads when their partners are killed in a botched up heist. Some of them team up to finish the mission which took their partners’ lives without realizing that they are only foot soldiers in a larger plot. Deftly weaving politics, corruption and other criminal elements, ‘Widows’ proceeds with a rapidly mounting body count culminating in a implausible yet satisfying finale. A special mention for the performance of Viola Davis is warranted.

The Front Runner (2018) [IMDB: 6.3, Rotten Tomatoes: 59%, My Rating: 6.5]

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Hugh Jackman plays a front-runner for the Democratic party’s ticket to challenge Ronald Reagan. The movie is based on the true story of Gary Hart who was consigned to the dustbin of history after the scandal that engulfed his campaign saw the wheels come off his juggernaut. The movie tries to play up the events in the story as a turning point in American politics but that argument does not hold up to scrutiny. The major problem with the movie is that Gary Hart is shown as a smooth talking politician with a vacuous personality lacking in any courage of conviction. His duplicity does not help the case of the movie.

Documentary of the Week

The Panama Papers (2018) [IMDB: 7.6, Rotten Tomatoes: 100%, My Rating: 7.0]

Trailer

The inside story of the courageous journalism that drove the leak of the Panama papers. Could have been better but still worth a watch.

Eagerly waiting for: The Oscars

Did you know: The Golden Globes are decided by the 93 voting members of the Hollywood Foreign Press Association whereas the Academy Awards have more than 6,000 voters.

Edition 71

The Non-English Movie of The Week

Assassination (South Korea, 2015) [IMDB: 7.2, Rotten Tomatoes: 87%, My Rating: 7.5]

Assassination_(2015_movie)_poster)

Trailer

Set in 1933 in Korea when Korea was under Japanese occupation, the movie captures the attempt to assassinate a top Japanese Commander by a committed bunch of nationalists. Lavishly mounted and slickly edited to airbrush the inconsistencies in the plot, this action-drama provides enough entertainment to keep you on the edge of your seat for a large part of the movie. The movie feels like an epic and the director should be commended for stretching every cent of the $16 million budget. Definitely worth a watch.

Movies I Saw This Week

Spotlight (2015) [IMDB: 8.4, Rotten Tomatoes:97%, My Rating:8.5 ]

Oscarometro2016Spotlight

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Featuring the best ensemble cast assembled in 2015, this early Oscar favorite tells the true story of the Boston Globe expose of the widespread abuse of children by the clergy in Catholic churches. The 2002 story was an act of journalistic courage. The movie is an ode to the good old ways of investigative journalism and a gentle reminder of the power of a newspaper to do good. The movie underplays the heroes of the story. There are no trumpets here, no soaring background score, and no singular acts of courage. It is about a group of men and women using their best abilities to do what they do best. They are ordinary folks who have concerns of their own and are appalled by the state of affairs. ‘Spotlight’ is a subdued movie and will now be the gold standard for any movie on journalism.

The Big Short (2015) [IMDB: 8.1, Rotten Tomatoes:90, My Rating:8.0 ]

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Coming from author Michael Lewis and producer Brad Pitt who collaborated for the much admired ‘Moneyball’, this film is about a set of defiant individuals who saw what others refused to see and gained from it. ‘The Big Short’ follows the lives of a few men who bet on the bursting of the housing bubble that culminated in the financial meltdown of 2008. With a cast that was only bettered by the ‘Spotlight’ team in 2015, the film deftly manoeuvres through the series of events which involve some heavy financial jargon. The film comes up with a new way to explain the jargon. The Hollywood studios must be commended for betting their money on what is a difficult topic to make a film on and the American audiences must be equally complimented for their reception to such movies. Steve Carell and Christian Bale put in commanding performances in what is certainly one of the best movies of the year.

Steve Jobs (2015) [IMDB: 7.5, Rotten Tomatoes:85%, My Rating:7.5 ]

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Michael Fassbender gives his career best performance in this biopic of Steve Jobs directed by Academy Award winner Danny Boyle based on Academy Award winner AAron Sorkin’s screenplay. The film is episodic and features the behind the scenes story of Steve Jobs before every major product launch in his life. Since the movie focuses on the personal life of Steve Jobs, a viewer without much knowledge of the business aspect of his life will find it a bit difficult to understand the subject matter. The movie’s greatest failure is that it demands familiarity with the Apple maestro. To the credit of the movie it must be said that it shows a personal side of Jobs that the media seldom covered before his death. Though the film is an entertaining one and an artistic success, its commercial failure may point to the fatigue of the audiences due to too many Jobs films releasing in s short span of time.

Beasts of No Nation (2015) [IMDB: 7.1, Rotten Tomatoes:93%, My Rating:8.0]

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The first thing that struck me while watching this gem of a film, is the familiarity with the geography. Later I discovered that the film was shot in Ghana but the film is set in a unnamed country and tells the story of child soldier Agu who loses his family and ends up being part of a ragtag militia of rebels. Idris Elba puts in his best performance as the leader of the decrepit but highly committed group. It is interesting to note that he never picks up the gun himself even when leading ambushes. Abraham Attah carries the weight of the movie on his tiny shoulders with a towering performance. The greater acclaim deservedly should go to producer-director-cinematographer-writer Cary Joji Fukunaga for creating an engaging and spellbinding movie of the highest quality.

Slow West (2015) [IMDB: 7.0, Rotten Tomatoes:92%, My Rating:7.5 ]

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‘Slow West’ is the hidden marvel of 2015. It is a movie which resurrects the Western but is not a film that should be put in compartments. Jay travels from Scotland to seek his Rose in the wild West of USA in late 19th century. Meanwhile Rose is wanted for murder and a group of bounty hunters are after her life. Charming in its unique way and telling a story which can truly be called original, ‘Slow West’ gradually becomes an unforgettable movie. The movie also uses clever tricks in narration. The movie is also an unflattering look at life in the lawless terrain. One of the best movies of the year.

The Good Dinosaur (2015) [IMDB: 7.0, Rotten Tomatoes:76, My Rating: 7.0]

 

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This movie was plagued by numerous script revisions and disagreements between the creators that even the director was changed midway through the project. It also comes hot on the heels of the success of the classic ‘Inside Out’. Add to that the Pixar label. The weight of expectations crushes an otherwise decent flick worth a watch. The movie is set in a world in which dinosaurs are not extinct and run families which (strangely) look like human families. The weak dinosaur in the family gets his chance to ‘grow up’ when he is separated from the family. During this time he meets and befriends a human child, and embarks on a multitude of adventures. The excellent animation is no match for a movie which could be called ‘Finding the Way Home’. I believe that the movie itself would have been better if the protagonist was a child but then it would be called ‘Baby’s Day Out’.

No Escape (2015) [IMDB: 6.8, Rotten Tomatoes:46%, My Rating:6.0 ]

No Escape

Trailer

Owen Wilson stars as the patriarch of an American family in an unnamed Southeast Asian country facing the ire of violent mobs protesting against the company for which Wilson works. Providing some good thrills and yet never shying away from stereotyping, the film is good enough to deserve a single viewing.

Adi Kapyare Kootamani (Malayalam, 2015) [IMDB: 7.2, Rotten Tomatoes:Not yet rated, My Rating:7.5 ]

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This rib tickling comedy works on an entirely Indian premise where a girl who enters a boys hostel needs to be escorted out without the knowledge of the hostelers. With winning performances from all involved, this movie which is made on a shoe string budget laughs its way into the hearts of viewers.

Two Countries (Malayalam, 2015) [IMDB: 6.9, Rotten Tomatoes: Not yet rated, My Rating:7.0 ]

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Coming from a team which has only made hits together, the movie tells the story of a happy go lucky man who marries an Indian-Canadian. Peppered with humorous scenes, the film is a laugh riot. Yet another proof that the finest comedy in the country is produced in Malayalam.

Charlie [IMDB: 7.6, Rotten Tomatoes:Not yet rated, My Rating:6.0 ]

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A girl moves into a rickety flat where she discovers the possessions of the former tenant. Intrigued by what she sees, she sets out to find the man behind the story. What she and the audience discover forms the crux of a story that is cloyingly sweet and preachy in parts. Neither boring nor great.

Documentary of the Week

Next Goal Wins [IMDB: 7.0, Rotten Tomatoes:100%, My Rating:8.5 ]

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The soccer team of American Samoa holds the record for the worst defeat in international soccer (a 31-0 drubbing at the the hands of Australia). Their goalkeeper gets nightmares in his sleep. In fact, American Samoa could never score a goal in an international match. Then everything changes. A true story of ecstasy, heartbreak and redemption. Must see.

Eagerly waiting for: ‘Macbeth’ with Michael Fassbender and Marion Cotillard.

Did you know: ‘Jurassic World’ was the highest grossing film in USA in 2015.

Edition 53: The Best of National Awards

Movies: Non-English

Fireworks (Hana-bi) (Japan, 1997) [ IMDB: 7.9, Rotten Tomatoes: 95%]

Hana-Bi Poster

Trailer: 

With generous doses of blood splashing on the screen and numerous scenes with physical violence, this Japanese classic is not a pleasant film to watch. A cop gets out of the police force and gets into violent ways. He takes up painting after his voluntary retirement but the pent up frustrations in his life boil over. Shot with an element of sadism in the scenes of violence and marked with insensitivity to human life, the film is a masterclass in violence. The lead actor wrote and directed the film and it is safe in his hands as he is able to fully realize what he penned.

The Wave (Germany, 2008) [ IMDB: 7.6, Rotten Tomatoes: 81%]

Wave (2008)

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For many poorly informed foreigners, especially non-Europeans, the everlasting word association with Germany is ‘Hitler’. Though unfair to Germany and Germans, this is one association they find very difficult to shake off. This film explores the possibility of the rise of a dictatorship in Germany. Based on a true story (that happened outside Germany),  a social experiment trying to figure out how life would be under a dictatorship, spirals out of control. Though the film suffers much on account of the difficulty in making it believable, it is a study on how cults emerge and how a few committed mad men can create havoc in the society. Highly recommended.

Movies I Saw This Week

Jolly LLB (India, 2013) [IMDB: 7.0, Rotten Tomatoes: Not yet rated]

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I did not watch this movie earlier thinking that it was one of the assembly line manufactured products from Bollywood. The ‘critics’ from mainstream media were also reserved in their reviews with no high praises being spoken of the film. It is after the film scooped few awards at the Filmfare awards that I thought that I should probably watch it. The probability turned into certainty when the film won a few more awards at the National Film Awards. It is a mystery to me (maybe, it is not) how pathetic mainstream movies with huge star casts receive glowing paid for reviews while good independent cinema is hardly recognized. Jolly LLB, minus the forced songs, is indeed the best Hindi film of 2013. It has a very original script and fine performances from all the main actors including Saurabh Shukla, Arshad Warsi and Boman Irani. Telling a contemporary story, it is a courtroom drama that exposes the ills of the Indian judicial system without taking itself too seriously. The court scenes look authentic and the dialogues are never forced. It is a quite an easy film to watch and keeps you interested even when the climax is a foregone conclusion.

Labor Day (2013) [ IMDB: 6.9, Rotten Tomatoes: 33%]

Labor Day

Trailer: 

This film looks like a 70s movie with better cast and poor directing. A cure for insomnia. It is baffling how Kate Winslet got a BAFTA nomination for her insipid performance. The plot involves a single mom and her son being forced to give asylum to a criminal on the run from the law. A lot of mushy moments that are obviously built into the story to initiate intimacy between the couple fall flat. All this makes it a B grade movie with an A list star cast which makes you laugh in the serous moments.

Shahid (India, 2012) [IMDB: 8.0, Rotten Tomatoes: 95%]

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Based on the true story of the slain advocate who defended the accused in many high stakes terror cases, ‘Shahid’ is a tour de force. Punching many holes in the narrative of the investigation agencies, Shahid becomes a thorn in the proceedings for people wielding power. He succeeds in getting acquittals for many of the accused.The movie which starts with the killing of Shahid traces his story from almost becoming a terrorist to being at the vanguard of the fight against human rights abuses. Rajkumar Rao deservedly got the Best Actor award at the National Film Awards. ‘Shahid’ tells a story that needs to be told and they have told it quite well.

2 States (India, 2014) [ IMDB: 7.5, Rotten Tomatoes: 67%]

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First the good parts. It is not a boring film and Alia Bhatt has acted well. Discounting for the source material, the film is well directed and edited. In simple words, it is not boring. Otherwise, it is a story which was taken from a screenplay published as a novel. (Spoilers Ahead) Chetan Bhagat writes screenplays with melodramatic moments and high drama in plain English and first publishes them as books priced at suitable pricing points. Later they make them into movies which neatly fit the genre of the typical Bollywood romance. The film is a refined version of Ekkkkkkta Kapoor’s serials, with squabbling relatives and tender love caught in the cross fire. Here a Punjabi guy and a Tamil Brahmin girl (you see, the cast has to be mentioned. As if, others don’t study in Tamil Nadu) fall in love, copulate and even romance during interviews during their stint at IIM A. In what is bad advertisement for IIM A, the girl even takes the groom to task over his lower salary than hers at a wedding which is her way of addressing the dowry problem. I have only sympathy for the souls who think that Chetan Bhagat writes something new in every book. It is the same recycled trash. All his books have the same type of ‘liberated’ women. Just like the much prized pen in ‘3 Idiots’ there are plot devices that keep on repeating in the movie for them to be magically resolved. A case in point here is the poor singer mother-in-law who gets her place in the sun because of the efforts of her daughter’s boyfriend. Then there is the abusive father who has a change of heart when the director wants it. It is all too convenient.  The piece de  resistance was the ‘ring scene’. I was wondering if all family members would be wearing the ring and if the girl had a sister instead of a brother, would she be wearing one too? For once, I did not understand the need to have a session at the shrink’s place as a venue for the flashback. Maybe producer Kkkkkkaran Johar can explain.

Anchorman 2: The Legend Continues (2014) [ IMDB: 6.6, Rotten Tomatoes: 75%]

Anchorman 2 The Legend Continues

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If you have brain, leave it in the freezer. Know that you are going to watch a stupid film and know that stupidity has no limits. Get ready for jokes that don’t care about any niceties. Racist jokes, jokes on the blind and so on are the categories that will have benchmarks with this one film which makes no pretensions about what it wants to tell. Finally it boils down to a matter of taste. Watch a version of how 24 hour news channels came into being. Just for the gags.

Documentary Pick of the Week

Why We Fight (2005) [ IMDB: 8.1, Rotten Tomatoes: 88%]

Why We Fight (2005)

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Why Americans like going to war? Who wants America to go to war? A look at the powerful interests that drive the American war machine.

Eagerly Waiting for:‘Chef’ because it is a movie on food.

Did you know: The first Twilight is the only film in the series to not receive any Razzie Award nominations.