Edition 88

The Non-English Movie of The Week

In the Fade (Germany, 2018) [IMDB: 7.1, Rotten Tomatoes: 75%, My Rating: 7.0]

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From acclaimed director Fatih Akin comes an avenge drama which gives a glimpse of the struggles of the delicately balanced identity politics in Germany. Diane Kruger plays a mother caught in the crossfire of neo-Nazi extremism and an inept judicial system. It is with great horror that she sees the tables turned on her when the neo-Nazis who show no remorse for their actions get away scot-free. She decides to take matters into her own hands. The film which plays out as a thriller has a lot going for it but the highlight of the movie is the sterling performance by Diane Kruger who scooped up many awards, including one at Cannes, for her theatrics. For all the drama that unfolds during the course of the movie, it is the denouement which leaves much food for thought.

Movies I Saw This Week

Thoroughbreds (2018) [IMDB: 6.9, Rotten Tomatoes: 86%, My Rating: 7.5]

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Cory Finley is a director who offers copious amounts of promise in this stylish take on entitled millennials who cannot take no for an answer. Two friends reunite and in their cold emotionless thoughts develop a plan to kill. For them everything is dispensable and there is no concept of what is right or wrong. One of them revels in silence and the other reveals her inane thoughts by opening her mouth. They are always impeccably turned out. The director never lets the pace drop and shrewdly writes the dialogues which take the story forward without upsetting the tempo of the movie. The product is as high class as the the background of the protagonists of the movie.

Ali’s Wedding (2017) [IMDB: 6.8, Rotten Tomatoes: 91%, My Rating: 7.0]

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This Australian feature is a delight to watch. It is that rare cross between a colourful Bollywood flick and a thoughtful Hollywood drama. The movie tells the life of Ali whose one lie spirals out of control. Though ‘Ali’s Wedding’ does paper over some medieval practices vis-a-vis the treatment of women in Islam, it does not hold back when it shows the intricacies of the life in the Muslim community in Australia. Mostly, the results are hilarious and when they are not, they still do not bore you. A breezy watch with heart warming performances and an engaging screenplay, Ali is worth your time.

The Death of Stalin (2018) [IMDB: 7.2, Rotten Tomatoes: 96%, My Rating: 7.5]

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This biting political satire is an unvarnished look at the fictional politics during the death of Stalin. There are two ways to look at the movie. The favourable way is to see it as an attempt at farce to bring out some key ideas relating to politics and power play in the erstwhile Soviet Union. The slightly less favourable way is to read it with the present animosity between Russia and Britain and a British filmmaker’s attempt to paint the Russians as scoundrels. Apparently, the Russian government agrees with the latter evaluation as it has banned the movie in Russia. From a neutral perspective, the setting and shenanigans of the movie could fit into any autocracy in the world. The viewer may watch the proceedings with slight bemusement. There are enough colourful characters in this movie to keep you engaged and their unpredictability brings enough twists and turns to keep you guessing. Recommended.

A Quiet Place (2018) [IMDB: 7.9, Rotten Tomatoes: 95%, My Rating: 7.5]

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‘A Quiet Place’ is set in a post apocalyptic world where aliens who respond to sound, kill and silence is golden. A corollary from the plot is that the movie has minimal dialogues. A family tries to survive and care for itself in seclusion. Their griefs and joys interspersed with violence form the crux of the movie. Though the film borrows heavily from other ventures which had sound in them, it finds its own place as one of the most well written movies to have come out in recent times. On a lighter note, the film shows you how to keep infants silent and how steaming or grilling is the best way to cook. Recommended.

The Mercy (2018) [IMDB: 6.1, Rotten Tomatoes: 71%, My Rating: 6.0]

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The good thing with the movie is that it is based on a true event which had captured the imagination of the people for its scandalous nature. The bad thing about the movie is that there is no anticipation or excitement as the story is well known. To add to this, the director does not delve much into the character study and lets the events play out. The film which tells the story of amateur sailor Donald Crowhurst who went for broke as he decided to take up the challenge to be the first person to circumnavigate the earth non-stop. The performances of Colin Firth and Rachel Weisz add respectability to the movie. Ultimately, the movie is about a man who did not know what he was getting into and could never utter the word ‘no’ with conviction.

Revenge (2018) [IMDB: 6.3, Rotten Tomatoes: 91%, My Rating: 7.5]

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With with the ‘Me Too’ and ‘Time’s Up’ movements in the vogue, ‘Revenge’ is a timely movie which may at many levels be the defining movie of  the aforementioned movements. Sophisticated and chic, ‘Revenge’ is a revenge drama with blood splashed all over it. For the ones who enjoy gore and violence, this movie may be music to ears and poetry in motion. With great performances and outstanding music complemented by beautiful cinematography which captures the brutal landscape, ‘Revenge’ does not fall into the trap of slasher films. It is often meditative and makes the audience root for the wronged heroine. ‘Revenge’ is not for the weak of heart and if you watch it you will understand that it was never meant to be.

Lust Stories (2018) [IMDB: 7.0, Rotten Tomatoes: 77%, My Rating: 5.0]

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An anthology directed by four respectable filmmakers, ‘Lust Stories’ stays true to its title. Probably that is the best thing I can say about it. Many of them play out like short films made by film students to complete their coursework. Somehow, it is the final piece of the quartet directed by Karan Johar which gets naughty. Karan Johar has no qualms about ruining one of his popular songs and he relishes the chance to do something different from the syrupy brainless movies he normally dishes out. It is in this setting that the high brow directors like Anurag Basu, Zoya Akhtar and Dibankar Banerjee fail to get out of their comfort zone. The pieces by the Basu and Akhtar are particularly tedious. The low cost of production is also evident in their work. Overall, the lust part is strong but the story part is particularly weak in ‘Lust Stories’.

The Kissing Booth (2018) [IMDB: 6.4, Rotten Tomatoes: 70%, My Rating: 5.5]

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Some movies question your judgment as you watch them. In this case, my judgement of having chosen to watch ‘The Kissing Booth’. Based on a book developed on Wattpad (the warning signs were there, you see) and apparently loved by the millennials, the movie does justice to its source material. That’s not saying much though. The story is about a girl who falls for her friend’s brother but that is a taboo as per the regulations and rules governing their friendship. There are decidedly positive outcomes in this bleak scenario. For one, the movie works if you have are not bothered too much by the concept of logic and sense. ‘The Kissing Booth’ in fact, gives a good name to chick flicks.

The Week Of (2018) [IMDB: 5.0, Rotten Tomatoes: 36%, My Rating: 5.5]

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The problem with ‘The Week Of’ is that I enjoyed it for a large part of its running time. Even when I was laughing at an outrageous joke or set piece. Even when I knew that what I saw did not make sense. Some of the jokes are so bad that they are good. As the setting of two families getting together for a wedding played out, one could not miss the fact that Adam Sandler was now the father of the bride. Adam Sandler is also one of the writers of the script. That is when I realized that Sandler is not going to go away anytime soon. Maybe it is a good thing. Maybe not.

Documentary of the Week

Faces Places (2017) [IMDB: 7.9, Rotten Tomatoes: 99% , My Rating: 8.0]

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A quirky duo set off on a road trip. They bring joy to people in small towns in France. An uplifting documentary which was crowdfunded.

Eagerly waiting for: ‘BlacKkKlansaman’ directed by Spike Lee

Did you know: ‘In the Fade’ is only the second time in her 47 acting credits where Diane Kruger speaks German.

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Edition 77

The Non-English Movie of The Week

Cemetery of Splendor (Thailand, 2015) [IMDB: 7.1, Rotten Tomatoes: 97%, My Rating: 7.5]

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‘Cemetery of Splendor’ is a hypnotic masterpiece from the Palme D’or winner Apichatpong Weerasethakul. Continuing his passion for metaphysics from his previous movies like ‘Uncle Boonmee Who Can Recall His Past Lives’ and ‘Syndromes and a Century’, the director dwells on a peculiar sleeping disease that strikes a group of soldiers in Thailand. With understated humour and purposeful pacing the director is able to take the movie to an exalted level without compromising on the story line. Highly recommended for those who seek something different.

Movies I Saw This Week

The Fundamentals of Caring (2016) [ IMDB:7.4, Rotten Tomatoes: 84%, My Rating: 6.5]

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Trevor suffers from muscular dystrophy and a bad sense of humour. He embarks on a road trip with his caregiver. The movie is about the people they meet and the bond that develops between them as they progress through their rollercoaster of a journey. Cliched to the hilt, the movie is saved from disaster by the performance of the ensemble cast. Paul Rudd especially stands out but his role could have been more well rounded if there had been some better writing. Overall, an easy movie to watch and an easier one to forget.

Me Before You (2016) [IMDB: 7.5, Rotten Tomatoes: 75%, My Rating: 6.5]

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Syrupy romance of a couple divided by class and wealth. Haven’t we heard that before? Here the man is wheelchair bound. The caregiver is a sassy girl who is blind to the thoughts of her subject. What follows is a predictable movie where anything goes. In fact, there are scenes in this movie which are an exact replica of the scenes in ‘The Fundamentals of Caring’. This is not to say that scenes have been copied but it clearly shows the lack of strong screenplay or even the intention of having one. If the movie doesn’t sink, it is because of the featherweight screenplay. Some gravitas to the proceedings is given by the strong and bubbly performance of Emilia Clarke. Otherwise there isn’t much to talk about.

Demolition (2016) [IMDB: 7.1, Rotten Tomatoes:57%, My Rating: 5.5]

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Despite the availability of an acclaimed star cast and a moderately successful director, ‘Demolition’ is a movie in self-destruct mode almost paying a tribute to its title. A banker recovering from the tragic loss of his wife finds himself at the crossroads. Unable to reconcile with his present day life, he starts searching for answers in the past. The confused narrative and the weak attempts to give depth to the story end up making a mess of the screenplay. The movie at its best is watchable and in most parts avoidable.

Tumbledown (2016) [IMDB:6.3, Rotten TOmatoes: 69%, My Rating: 6.5]

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A wife grieving the loss of her husband finds a new beginning with the help of a new friend and some music. The movie does give a feel of ‘have been there and done that’. The inspired writing helps the movie to rise above mediocrity. Rebecca Hall who is present in almost every frame of the movie plays her part convincingly. The effective background score and cinematography aid her. ‘Tumbledown’ is an an antithesis of ‘Demolition’ in every conceivable way. Good that we have a choice and ‘Tumbledown’ is the hands down winner.

Green Room (2016) [IMDB: 7.1, Rotten Tomatoes: 91%, My Rating: 7.0]

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From the soulful ‘Tumbledown’ to the punk rock of ‘Green Room’ may not be the transition you were looking for. A band on the run from a crime scene forms the crux of what ‘Green Room’. The director exploits the limits of the genre while bending a few rules in this edge of the seat thriller once the chase starts. Populated by psychopaths and neo-nazis, the bleak setting is not a constraint for some subtle comedy as well. All in all a breeze to watch. Highly recommended.

The Brothers Grimsby (2016) [IMDB:6.2, Rotten Tomatoes: 37%, My Rating: 4.0]

the brothers grimsby

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In cinema there are not many worse spectacles than comedy which is stale. ‘Dicatator’ was funny. ‘Borat’ had its moments but this one is defined by its lack of humour. Granted that we are not looking for high brow comedy from Sacha Baron Cohen but even his gigs and buffoonery don’t justify the existence of this plot less wonder. Bereft of any logic, trying to hard to be comic and attempting to look chic, the movie falls flat on its face. Avoidable.

The Ridiculous 6 (2015) [IMDB:4.9, Rotten Tomatoes:0%, My Rating: 2.0]

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I have some good news and some bad news. The good news (for Adam Sandler) is that he has been signed by Netflix for a multiple movie contract. The bad news is that this is only the first movie in the series. Plagued by problems during production including accusations of racism on the sets, the movie is strictly for racist Adam Sandler fans. The movie is an insult to intelligence with a particularly bad portrayal of native Americans. Unfortunately the movie had the best opening on Netflix which is also a sad commentary on the state of the American society.

Documentary of the Week

(Dis)Honesty : The Truth About Lies (2015) [IMDB: 7.5, Rotten Tomatoes: 88%, My Rating: 7.5]

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From the Dean of Admissions at MIT to bankers, there is a problem of dishonesty. A documentary that delves into the reasons for dishonesty. Highly recommended.

Eagerly waiting for: ‘Sully’ starring Tom Hanks and directed by Clint Eastwood.

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Did you know: ‘Mulholland Drive’ topped BBC’s list of 21st century’s greatest films.