After a break of close to six months, this blog is back. Henceforth, the aim is to publish the blog on a fortnightly basis. Thank you for your continued support.
The Non-English Movie of The Week
The Wind Rises (Kaze tachinu) (Japan, 2014) [ IMDB: 7.9, Rotten tomatoes: 89%]
The swan song of animation legend Hayao Miyazaki (The genius behind classics like Spirited Away, Princess Mononike, Howl’s Moving Castle) is itself a tribute to the life and times of the pioneer of Japanese aviation Jiro Horikoshi. True to form, Miyazaki makes sure that the film gets the scale and ambition it deserves. The thing that struck me while watching the movie was the ease with which the story was unfolding. The screenplay is so well written that the movie could have been a fantastic one even if it were shot using real people in real settings. This sense of realism is what separates Japanese animation from the Hollywood set pieces. Hence, the slight disappointment that a vastly inferior ‘Frozen’ was chosen ahead of this classic at the Oscars.
Movies I Saw This Week
Grand Budapest Hotel (2014) [ IMDB: 8.2, Rotten Tomatoes: 92%]
Wes Anderson comes up with probably the most engaging film of the year which has its moments of quirkiness which add to the shroud of suspense which camouflages the playfulness of the movie. It tells the story of a concierge in the hotel who has a fetish for older women. Filmed in his signature style, Wes Anderson ensures that the film looks authentic for the inter war period during which it is set. The slick dialogues and accomplished performances from every member of the crew help in adding to one of the best cinematic experiences of 2014.
Begin Again (2014) [ IMDB:7.5 , Rotten Tomatoes: 83% ]
A once famous music producer who has fallen on bad times, meets a neophyte and takes her on the road to super stardom. The songs used in the movie are good. Mark Ruffalo is perfectly cast as down in the dumps music executive and playing perfect foil to him is the delightful Keira Knightley who is vulnerable and yet cheerful. The film is predictable in the turns it takes but as I have always maintained, some predictable movies are very good to watch even when they have some loose points. Watch it for the music and the joie de vivre.
The Fault in Our Stars (2014) [IMDB: 8.1 Roten Tomatoes: 87%]
Based on the NYT bestseller, the novel is made with the teenage audiences in mind. Hazel and Gus meet at a cancer support group and fall in love. They share many memorable experiences together as they await death. There is nothing exceptional about the movie. Since it is based on the impending doom and gloom , the thematic elements are placed to pull at the heart strings which they do with limited success. The movie tries too hard to bring in the sentimentality which is its USP. This is certainly not the type of movie I enjoy watching but I am sure there is a section of the audience which loves such tragedies.
A Most Wanted Man (2014) [IMDB: 7.1, Rotten Tomatoes: 90%]
From the spy novelist John Le Carre comes this thriller focusing on undercover operations against Muslim terrorist groups based in Hamburg, Germany. Philip Seymour Hoffman delights in his final onscreen appearance and simultaneously reminds us of the great talent that we lost. The suspense and intrigue in the movie build up from the first shot and reaches an explosive climax which is difficult to predict. The screenplay focuses on the minute aspects of the story which gives an impression that there is a twist waiting to happen all the time. The director does not let the pace slacken and the actors do full justice to their roles. I immensely enjoyed watching the movie and feel that it is one of the best to have come out in recent months.
Are You Here (2014) [IMDB: 5.3, Rotten Tomatoes: 22%]
Owen Wilson and Zach Galfianakis teaming up was supposed to be funny but when they try to add gravity, when nothing even resembling that is expected, you get the movie disaster of the year. Both of them sleepwalk through their roles and an awfully weak screenplay makes you wonder “What am I being subjected to?”. For the record, the story is that of a social misfit who goes to attend his father’s funeral and discovers that he has become a millionaire because his dad trusted his dazed and confused son over his selfish and uncaring daughter. At every moment in the movie, there is an anticipation that there could be something funny happening soon but all those hopes are buried along with the funeral in the movie. Watch it if you are learning to be good at anger management.
Finding Fanny (2014) [IMDB: 6.2, Rotten Tomatoes: 51%]
I have immense sympathy for people who paid to see this drivel in a theatre. This is the kind of movie that brings disrepute to good cinema because it is marketed as good cinema intended for the audiences who can see the finer points of filmmaking. What it becomes is storyless story which could have been compressed to a 25 minute episode on television. For all her commercial success and the fixed awards that come with it, Deepika Padukone cannot act to save her life. Even the others look out of touch with thespian Naseeruddin Shah being the only saving grace. He plays the character of a person who is cajoled to go in search of his long lost love. Just like the car they take the trip in, the story meanders along aimlessly and is a pain to watch. I think people should have guessed this early as the main marketing point of the movie during its promotions was the derriere of the actresses. A movie that must be avoided at all costs.
Happy New Year (2014) [IMDB: 6.7, Rotten Tomatoes: 61%]
Thank God that this movie was released during Diwali. If it was released during the new year, it would have ruined the entire year. Now it needs to be just burned along with the the crackers on Diwali. To call this a movie would be the equivalent of calling the winner of the National Spelling Bee a novelist. The movie is a pointless attempt and an insult to the audience. Filled with cheap gags and a story which seems to have been conjured up by an infant in the cradle, the film is a tight slap on the faces of the audiences who throng movies on the first day of release because of the marketing blitzkrieg they are subjected to. It is also a reminder of the fading charisma of an ageing superstar finding it difficult to maintain the aura so frighteningly exposed by those wrinkles. It is an insult to the idea of patriotism when such movies try to play such cards in vain. As for the actors, the cake goes to Abhishek Bachchan who now plays the Uday Chopra equivalent of a side kick he is used to having in the Dhoom series. I hope that the director Farah Khan meets the same fate as her even lousier brother.
Documentary Pick of the Week
Inequality for all (2013) [IMDB: 8.0, Rotten Tomatoes: 90%]
The former US Labour Secretary Robert Reich tries to give a new perspective on the labour market and the distribution of wealth. Highly recommended.
Eagerly Waiting for:‘Foxcatcher’ because it is a true story of an Olympic winner.
Did you know: In the state of South Dakota it is illegal to show Police getting beaten in the movies.