Edition 95

The Non-English Movie of The Week

Birds of Passage (Colombia, 2019) [IMDB: 7.7, Rotten Tomatoes: 95%, My Rating: 8.0]

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An instant classic depicting the origin and evolution of the drug trade in tribal communities in Colombia, this movie focuses on the slow but sure impact of the drug trade and the new found wealth. People who get corrupted by money lose their marbles as they straddle the worlds of crime and custom. The tribal rituals to honour the forefathers become a show of strength. Honour and stubbornness become a potent mix, especially when illegal money is added to it. Great cinematography and a strong screenplay add to the quality on show. Highly recommended.

Movies I Saw This Week

Arctic (2019) [IMDB: 6.9, Rotten Tomatoes: 89%, My Rating: 7.0]

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‘Arctic’ at its core is a simple and at times cliched survival tale of a man who must find a way out of a plane crash in the Arctic. What will keep you engrossed is the acting and the surprises the director is able to pull off every time the viewer tries to second guess the flow of events. The bleak landscape and the impotence of man facing the wrath of nature add to the bleary feel of the movie. Recommended if you like survival tales.

Private Life (2018) [IMDB: 7.3, Rotten Tomatoes: 94%, My Rating: 7.5]

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I have not seen any recent movie which mimics life with such honesty without falling into the trap of predictability. ‘Private Life’ is a sincere, funny, poignant and resplendent piece of film making. A middle aged couple desperate for a child try all that is legally possible to attain their goals. The roller-coaster ride that they take is devastatingly close to real life with characters the viewer can identify with. You would not want to miss it.

Stan & Ollie (2018) [IMDB: 7.3, Rotten Tomatoes: 93%, My Rating: 7.5]

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I remember Laurel and Hardy as belonging to a different time and space. I have read comic books with them as protagonists and after a certain age the comedy duo just disappeared from my mind. The final years of the duo are brought to the big screen in this warm and spirited comedy. Even the biggest stars fade and some of them cling on to the vestiges of fame. Laurel and Hardy take a last lap of honour and resolve their differences in this sweet little movie. The best comic line though belongs to Hardy’s wife when she speaks about Laurel’s wife. Recommended.

Fighting with My Family (2019) [IMDB: 7.2, Rotten Tomatoes: 93%, My Rating: 7.5]

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This is one of the movies where the film is better than the real person it is based on. In fact, even as a standalone feature without any references to real life characters, this film is a thoroughly enjoyable watch with some truly heartwarming scenes and knockout dialogues. A British girl from a family for whom wrestling in not just a pastime harbours ambitions of hitting the jackpot with WWE. No spoilers here. She fulfills her dream. The ride to the dream is the fun here. Watch it.

Booksmart (2019) [IMDB: 7.5, Rotten Tomatoes: 97%, My Rating: 8.0]

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When you think some of the genres are as good as dead, there comes a movie which rewrites the rules of the game. ‘Booksmart’ is the reinvention of the high school coming-of-age story which is as fresh as the dew drops in the morning. Two girls decide to do in a night what they missed in all the years of high-school. They accomplish the mission with palpable energy and infectious humour. With some rip-roaring scenes and outrageous comedy (I’ll never forget the ‘Malala rule’), ‘Booksmart’ is a fine way to spend your time.

Hotel Mumbai (2019) [IMDB: 7.7, Rotten Tomatoes: 85%, My Rating: 7.0]

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Do not watch this movie if you cannot stomach graphic violence. You have been warned. If you are the battle hardened type, this movie has rich rewards. A start to end thriller with gut wrenching scenes and edge of the seat moments, ‘Hotel Mumbai’ is a recreation of the terrorist attack on the Taj Mahal hotel in Mumbai renowned for its excellent customer care of the rich and famous. Some of the staff take this care to the extreme which can be also interpreted as being foolhardy when the more reasonable option is to just escape from the slaughter scene. There is also the typical American hero who acts as if nothing will happen to him as he probably thinks that the bullets will discriminate. Still, a story that must be told because what transpired needs to be known and etched in memory.

Us (2019) [IMDB: 7.1, Rotten Tomatoes: 94%, My Rating: 5.5]

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For me, ‘Us’ was a monumental letdown. It is a film that does not scare and is very much predictable which makes it a weak candidate in the horror-thriller genre. The critics and fanboys can search for all the subtext and symbolism but at its core ‘Us’ is a poorly written movie about doppelgangers. There are no metaphors here. There are loopholes and more of them than you would want even in a romantic comedy. Some of the events have no explanation whatsoever. ‘Get Out’ was no masterpiece but was at least watchable. ‘Us’ is a train wreck that you get to make when your debut movie grosses 100 million at the box office.

Extremely Wicked, Shockingly Evil and Vile (2019) [IMDB: 6.7, Rotten Tomatoes: 60%, My Rating: 6.0]

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The title of the movie reminds me of certain people I know. Jokes aside, Ted Bundy was the outlier among serial killers. He was also a charmer. The movie tells us how those who surrounded him thought about him. He was able to pull the wool over the eyes of many including female admirers who believed in his lies till the very end. My issue with the movie is that it fails till the climax to show the evil incarnate that Bundy was. For a more nuanced take on a serial killer, try ‘My Friend Dahmer’.

Documentary of the Week

At the Heart of Gold: Inside the USA Gymnastics Scandal (2019) [IMDB: 8.1, Rotten Tomatoes: 100%, My Rating: 8.5]

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It is only in the US documentaries that people come out to speak to documentary crew on the abuse they received. This makes for powerful documentaries. ‘At the Heart of Gold’ is one such documentary. Must watch.

Eagerly waiting for: ‘Yesterday’ by Danny Boyle

Did you know: Jordan Peele was so insulted when Sony offered him the role of Poop in The Emoji Movie (2017) that he retired from acting to focus entirely on being a screenwriter and film director.

Edition 94

The Non-English Movie of The Week

Burning (South Korea, 2018) [IMDB: 7.6, Rotten Tomatoes: 94%, My Rating: 8.0]

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‘Burning’ does not hit the viewer hard for about three-fourth of its duration. It is only after viewing the entire film that the finer points of the plot fall into place. Inconsequential scenes make sense and random dialogues fit in a jigsaw puzzle which looks different even after assembly based on the perspective of the viewer. The director uses metaphors abundantly while holding a mirror to contemporary Korean society. This mystery thriller tells the story of three youngsters who are acquaintances but share something far more than what is apparent. If you do watch this memorable movie, try to read up on it. The various interpretations by viewers of the scenes make for some interesting reading. Highly recommended.

Movies I Saw This Week

The Wild Pear Tree (Turkey, 2018) [IMDB: 8.3, Rotten Tomatoes: 94%, My Rating: 8.0]

From the director of ‘Once Upon a Time in Anatolia’ (a favourite of mine) and ‘Winter Sleep’ comes this three hour long movie of a young graduate trying to understand his role in the Turkish society while discovering himself. The movie is told through a series of long conversations with friends, family, strangers and a particularly acerbic yet incisive writer. The conversations reveal more about the protagonist and the people in the countryside of Turkey. Definitely worth three hours of your life.


Shoplifters (Japan, 2018) [IMDB: 8.1, Rotten Tomatoes: 99%, My Rating: 8.0]

Enigmatic and filled with surprises, ‘Shoplifters’ is a modern Japanese classic which showcases the craft and control of its director. A family’s life changes when they take in a small girl into their setup where they themselves thrive on stealing from shops and supermarkets. The director is successful in manipulating the viewers’ emotional response as the film progresses. The actors emote with perfection and the roving camera is a silent observer when the chickens come home to roost. Highly recommended.

Capernaum (Lebanon, 2018) [IMDB: 8.4, Rotten Tomatoes: 89%, My Rating: 7.5]


Acclaimed Lebanese director Nadine Labaki literally drags the viewer through the streets of Beirut in this movie about a young boy too sincere for his own good and yet corrupted by the environment. The clear triumph of Mrs Labaki is her ability to extract some phenomenal acting performances from the characters especially the protagonist. Poverty, refugee problems and parental responsibilities are dealt with in this movie which does tend to get a bit out of hand in the latter half. For all the good cinema on show, I had this nagging feeling that this could have been a much better movie with a better climax had more thought gone into the screenplay.


Border (Sweden, 2018) [IMDB: 7.1, Rotten Tomatoes: 96%, My Rating: 7.0]

Featuring what some call as the weirdest sex scene in cinema history, ‘Border’ offers a strange and compelling story about people on the fringes of the society. A lady border guard whose USP is her sensational sense of smell finds the reasons for her awkwardness and the dark history of eugenics in Sweden. The movie is, as all good movie must be, a director’s show. A special mention for the makeup department for transforming the actors who do not look anything like their real life personalities.


Instant Family (2018) [IMDB: 7.1, Rotten Tomatoes: 81%, My Rating: 7.0]


A light-hearted comedy which plays it by the book and still keeps the viewer engaged enough to care about the proceedings on screen. Based on the life of the scriptwriter, the movie tells the tale of a couple who look for adopting a child and end up with three. Rose Byrne pulls off a heart warming performance as a mother trying to understand her new children. There are no twists in the tale but there are some genuinely funny moments. Hope Hollywood can make more of the same.


On the Basis of Sex (2018) [IMDB: 6.7, Rotten Tomatoes: 74%, My Rating: 6.5]

There are two or three cracking dialogues in this movie. One is when a young Ruth Bader Ginsburg is asked by her dean on why she chose to study law when a man could have had her seat at the Harvard Law School. This biopic on the Supreme Court judge looks at the making of a legal eagle and her family life. While successful in depicting the entrenched misogynistic attitudes of her times, the movie has glaringly obvious ideas on how to also show the times. The number of times the characters smoke on screen must be some sort of a record for the amount of fumes on display. Maybe the director just wanted to drive home the point that smoking in public was a normal thing those days. Felicity Jones performs with earnestness as RBG but if you want to know the judge better, watch the documentary RBG. The documentary is better than the movie.

The Mule (2018) [IMDB: 7.1, Rotten Tomatoes: 70%, My Rating: 5.5]

Good old Clint Eastwood returns to direct and act in a drama on a real life drug carrier who was the oldest in the world in that trade. How do we know? He was caught by the law enforcement and a reporter wrote a long article on it. Then Eastwood decided that this is what he was going to make a movie on. Notable more for the lack of drama and a sure sign that Clint Eastwood must be talking to chairs ( https://www.youtube.com/watch?v=933hKyKNPFQ ) nowadays, ‘The Mule’ is for large parts boring. For the remaining parts, you are left wondering: why was this movie made?


Holmes & Watson (2018) [IMDB: 3.6, Rotten Tomatoes: 11%, My Rating: 2.5]

Will Ferrell was once funny. Once as in, ‘once upon a time’ and not just one time. Now like the tagline of his movie ‘They Don’t Have a Clue’, he seems to have lost it, completely. Inane, idiotic and unfunny are the words that come to mind when ‘Holmes & Watson’ is mentioned. This movie is the opposite of comedy. Dreamt up by people who bring a bad name to slapstick humour and filled with feeble attempts to write funny situations, this movie is the cinematic equivalent of the Greek economy. Nothing can salvage it. I hear that medical marijuana has been made legal in many US states. Probably the writer and director had some medical condition.

Documentary of the Week

Leaving Neverland (2019) [IMDB: 7.1, Rotten Tomatoes: 98%, My Rating: 8.0]

A damning documentary on Michael Jackson in the words of his accusers. Those words carry much weight. Not for the weak of heart. Not for the worshipers of Michael Jackson. For those who seek the truth.

Eagerly waiting for: ‘John Wick: Chapter 3 – Parabellum’

Did you know: Clint Eastwood, is an anagram for ‘old west action’

Edition 85

The Non-English Movie of The Week

Loveless (Russia, 2017) [IMDB:7.9, Rotten Tomatoes: 92% , My Rating: 7.5]

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Winner of the Grand Jury Prize at the Cannes Film Festival, this movie tells the story of a child caught in the crossfire of an ugly divorce. As the child goes missing, the parents launch a search which intensifies as the story progresses. The director whose earlier works include ‘Leviathan’, goes for a more nuanced storytelling with subtle hints on the state of the Russian society. Unlike ‘Leviathan’ which spared no punches, ‘Loveless’ is often puzzling and enigmatic. The suspense is intact till the end and the open-ended climax leaves much space for speculation and contemplation. The pace of the movie dips in the latter half when the proceedings turn plain boring but the quest for the missing boy keeps the audience hooked. ‘Loveless’ is sure to get an Oscar nomination but not good enough to win.

Movies I Saw This Week

I, Tonya (2017) [IMDB: 7.7, Rotten Tomatoes: 89%, My Rating: 7.0]

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Margot Robbie stars as real life figure skater Tonya Harding whose chequered career’s low point was a botched up and bizarre kidnapping saga of her opponent. Robbie, who used to play ice-hockey earlier, brings the expertise to give a creditable performance in scenes where she is in the ice rink. There is nothing compelling about the screenplay and it hurtles towards an inevitable end. Margot Robbie plays her much abused character with conviction but the only Oscar that this movie will win will rightfully belong to the controlling mother of Tonya played with relish by Allison Janney.

The Disaster Artist (2017) [IMDB: 7.9, Rotten Tomatoes: 92% , My Rating: 7.0]

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For those who have not had the misfortune of watching a gutter movie called the ‘The Room‘ released in 2003, ‘The Disaster Artist’ is based on the events surrounding the making of that movie. ‘The Room’ had a second life when it gained popularity with some viewers rating it as the “best worst movie” ever made (which is a very generous assessment). The legend behind the movie was one Tommy Wiseau who wrote, produced, distributed, directed and acted in the original. James Franco, another goofball from Hollywood, has a field day as he tries to play Tommy Wiseau in a rather compassionate look at the original. Whether such a tribute to ‘The Room’ is warranted is certainly questionable. In fact, as a movie ‘The Disaster Artist’ fails to stand on its feet once it is robbed of the context. For most of the funny scenes to work, it is important to have viewed the original. Whether it is worth sitting through the mind numbing experience of watching ‘The Room’ so that ‘The Disaster Artist’ can be appreciated, is a question left to the discerning viewer. James Franco is sure to sweep awards which have a category for a comical performance but when it comes to the real deal (ie, the Oscars), he will be educated on good acting by the performances of veterans like Gary Oldman and Daniel Day-Lewis.

Three Billboards Outside Ebbing, Missouri (2017) [IMDB: 8.3, Rotten Tomatoes: 93% , My Rating: 8.5]

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Frances McDormand gives her best performance after ‘Fargo’ in a masterpiece scripted and directed by Martin McDonagh. The movie begins with a mother’s pointed questions about the rape and murder of her daughter. The difference being that she goes for the audacious by putting those questions on three billboards. As a viewer, it may be difficult to foresee what unfolds in the narrative from there on. What surely does happen is by far the best Hollywood movie of 2017. The movie proceeds with the ease of knife sliding through butter. Frances McDormand, in what will be an Oscar winning performance, embodies the spirit of the character and plays it with the grit and steely determination making it one of the strongest woman protagonists in cinema. What elevates the screenplay is that all the cast members bring their A game to the show. Woody Harrelson and Sam Rockwell add gravitas to their roles as the ailing police chief and a racist officer respectively. The humour in this tense drama is first rate and never out  of place. This movie is easily among the best to have made it to the cinemas in 2017.

Lady Bird (2017) [IMDB: 8.0, Rotten Tomatoes: 99% , My Rating: 7.5]

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Greta Gerwig turns director in a bittersweet coming of age movie set in Sacramento. Incidentally, Greta Gerwig is from Sacramento. Saoirse Ronan lives up to the promise she had shown in ‘Brooklyn’ as she plays the role of a small town high school student trying to find her bearings and love over the course of a few months. There are tons of movies with similar themes but what makes ‘Lady Bird’ charming is the freshness of the writing and the little twists and turns which keeps the viewer interested in the events on screen. ‘Lady Bird’ may not be a classic but it has its own rightful place in the list of the best movies of the year.

The Shape of Water (2017) [IMDB: 8.0, Rotten Tomatoes: 92% , My Rating: 8.0]

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Gullermo del Toro is a master at story telling as demonstrated multiple times previously and most memorably in ‘Pan’s Labyrinth’. This is reinforced by ‘The Shape of Water’ where he blends fantasy, music and romance into an intoxicating concoction. For the grace with which he tells an impossible story itself, he deserves the Oscar for Direction. ‘The Shape  of Water’ is a love story between a cleaner at at secret facility and a water creature. The premise is so outrageous that you may be put off by the synopsis but as you watch the movie, you may find yourself rooting for this romance. ‘The Shape of Water’ owes its mood to the music of Alexandre Desplat who looks like a shoo in for the Oscars. Pity that Hans Zimmer will not be getting his Oscar for another extraordinary score in ‘Dunkirk’. Watch ‘The Shape of Water’ if you are willing to be taken to the stars and clouds by the magic of cinema.

Call Me by Your Name (2017) [IMDB: 8.3, Rotten Tomatoes: 96% , My Rating: 6.5]

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‘Call Me by Your Name’ is a bit of manipulative film making. It is the one of those annual LGBT themed movies with a heavy Oscar bait thrown in. For sure, it is a gorgeous looking movie shot in achingly beautiful parts of Italy. The movie is worth a watch just for the scenery. Timothee Chalamet is another reason for watching this gay romance, in which he stands out and promises much more for the future. The story is about a young boy who is wooed by the associate of his dad. Recommended if you like the category.

The Florida Project (2017) [IMDB: 7.9, Rotten Tomatoes: 96% , My Rating: 8.0]

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A24 studio has the uncanny knack of picking low budget features with a solid story line which would not be green-lit by the major studios. ‘The Florida Project’ is a film that A24 can be proud of. It tells the tale of a brash child spending her summer holidays with her single mom in a motel close to Disneyland. The story is told through the eyes of the child and portrays the life of the American poor. William Defoe puts in a good shift as the manager of the motel. The movie does stray a bit from its main story on a couple of occasions but there something magical about the way the director handles the whole movie. ‘The Florida Project’ is not a great film but it is indeed a memorable one.

Darkest Hour  (2017) [IMDB: 7.4, Rotten Tomatoes: 85% , My Rating: 7.0]

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Winston Churchill whose career was built on his ambition to be the Prime Minister of Britain receives the honour when the soulless Nazi Germans are knocking on the gates of his country. All of his army is also facing an existential crisis as they are facing certain rout at Dunkirk. ‘Darkest Hour’ is the portrayal of Winston Churchill by Gary Oldman in the weeks following Churchill’s appointment as the wartime Prime Minister culminating in the rousing “We shall fight them….” speech. Overall, the movie is watchable but the screenplay is sometimes found lacking. The movie is a Gary Oldman show. He becomes Churchill. I would not be surprised if they mistakenly use the image of Gary Oldman for Churchill in the future. And, the Best Actor Oscar goes to Gary Oldman.

Molly’s Game (2017) [IMDB: 7.7, Rotten Tomatoes: 87% , My Rating: 7.5]

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Jessica Chastain has now become the reference point for smart  and smooth talking women operatives in cinema. Following on her remarkable success in ‘Zero Dark Thirty’ and ‘Miss Sloane’, she becomes the ‘Poker Princess’ Molly Bloom who was convicted of running an illegal poker operation in New York. Aaron Sorkin’s direction and screenplay follow the sleekness he had shown in his earlier screenplays. ‘Molly’s Game’ is not a thriller. It is a character study which can be viewed with mild amusement. It is predictable but engaging. The movie does leave the question of whether it is telling more than it is hiding or vice-versa. For instance, Tobey Maguire is the actor on whom the star in the movie is based. Watch it if you like predictable but fast movies.

Documentary of the Week

Cries from Syria  (2017) [IMDB: 7.9, Rotten Tomatoes: 100% , My Rating: 8.0]

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The story of the beginning of the Syrian war told through citizen shot videos. Moving and disturbing.

Eagerly waiting for: ‘Sicario 2: Soldado’ 

Did you know: ‘Get Out’ is the first film made by a debutant director to gross more than 100 million USD at the US box office.

Edition 70

The Non-English Movie of The Week

Like Someone in Love (Japan, 2012) [ IMDB: 6.9, Rotten Tomatoes: 82%, My Rating:7.0 ]

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Iranian maestro Abbas Kiarostami chose Tokyo as his setting for a film based on relations developed in the most unlikely places. An old man and a young lady develop a peculiar relationship in a short span of time; the fact that she is a call girl does not make matters easy. A slow burning piece like the director’s earlier work ‘ The Wind Will Carry Us‘, the story moves at a languid pace often testing the patience of the viewer. The movie does not rise and soar even when there are scenes which suggest the potential for course correction. The compelling part of the film is that a renowned filmmaker from Iran cannot make such a movie in Iran because of the general lack of the freedom of expression there. The whole saga of another Iranian Jafar Panahi who was banned from making movies for 20 years and his attempts to get around this ban is well documented.

Movies I Saw This Week

Spectre (2015) [IMDB: 7.2, Rotten Tomatoes: 67%, My Rating: 6.0]

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The twenty fourth film of the Bond franchise is a damp squib with tired gags, stale screenplay, car chases which are as good as advertisements for the cars, an unusually insipid Daniel Craig and a poor villain who would not have received any attention from Bond in Bond’s heydays. The existential crisis for Bond is aggravated by the competition from a multitude of superheroes who have clearly demarcated audiences. After the brilliant reinvention of Bond in ‘Casino Royale’, two of the films that have followed have failed to inspire confidence. Only ‘Skyfall’ has been a face saver for Bond among the last three installments. ‘Spectre’ suffers from a story that meanders along and the direction of Sam Mendes suggests that he may be past his glory days of ‘American Beauty’ and ‘Road to Perdition’. In ‘Spectre’, Bond goes in search of an organization and he even gets a ring with the trademark logo of the organization. A terrorist organization which has merchandise to distinguish its members is so tacky that it belongs to the 60s era of film making. The attempts at humour are notable for their inability to achieve exactly that. The only thing stunning in the first 90 minutes of the movie is the Austrian landscape and that is the tragedy of Spectre.

Bridge of Spies (2015) [IMDB: 8.1, Rotten Tomatoes: 92% , My Rating: 8.0]

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The story of James Donovan is indeed a remarkable one. This lawyer turned negotiator was a true servant of the nation when he went the extra mile to negotiate the release of an American pilot in exchange for a convicted spy during the height of cold war. He also was instrumental in the release of detainees held by the Cuban government after the failed Bay of Pigs invasion. ‘Bridge of Spies’ documents the former story in detail and does not disappoint. In fact, it matches and exceeds the expectations generated by the combination of Tom Hanks and Steven Spielberg. The movie will certainly garner a few Oscar nominations for the heartwarming drama it effectively captures. It is interesting to note that when more and more movies are being made with the accompanying technology at the centre of film making, the original whizkid Spielberg is turning to such solid drama. Some movies are exceptional in their own silent way. This is one such movie.

The Walk (2015) [IMDB: 7.7, Rotten Tomatoes: 85%, My Rating:7.5 ]

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The histrionics of Philippe Petit are not just amusing but are also acts of artistic daredevilry.  More than 30 years ago he committed what some dub as the artistic coup of the century. He had the idea,courage and expertise to perform a high wire walk across the twin towers of the World Trade Center. He did it without any protective equipment. The attempt was captured in a high quality documentary called Man On Wire. ‘The Walk’ is the movie version of the event. (spoilers ahead) I had thought till I saw the movie that Petit had just walked across the towers once but it is only on watching the movie that the artistry and courage of his feat become apparent. After completing his first end to end walk, he goes on the ‘trip’ again and again. As Beethovan’s Fur Elise plays in the background, the magic of the walk unfolds on the screen. Even when the movie takes a long time to reach the final act, the wait is worth the iconic images that unfold.

Prem Ratan Dhan Payo (India, 2015) [IMDB: 5.5, Rotten Tomatoes: 55%, My Rating: 4.5]

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India is currently ranked 172 (its lowest ever) in FIFA ranking. Watching ‘Prem Ratan Dhan Payo’ can give you insights into what ails Indian soccer. Salman Khan persuades a gathering to play football. He places the ball for kickoff. Then they break into a song and dance about it. When done with the dance, they finally start playing and then goals are scored because the lady goalkeepers run for their lives when the ball is hit in their direction. Prem Ratan Dhan Payo is full of such insights. Salman Khan has a way even with gravity. Few days after falling from a few hundred feet and after being treated in a ‘facility’ with fire burning around him, he returns to the screen as if he had been on a vacation. At the exact moment when that Salman has an accident, a new Salman (without a moustache) turns up as a replacement for the prince. How many times will Hindi movies have themes involving a doppelganger? This movie is essentially a remake of every movie from Rajshri productions. The Barjatyas are stuck in the past and perhaps they know that. So they leave a few years between their movies so that the audience forgets and forgives them. In this movie, they got Salman Khan to sign up and then roped in actors (Neil Nitin Mukesh, Arman Kohli of Jaani Dushman: Ek Anokhi Kahani, Sonam Kapoor etc) who were looking for work. Then they slated it for release on Diwali. Left with no other movie to watch, everyone flocked to the theatres and made the film a blockbuster. For those who don’t believe it, this movie was the second highest grossing film internationally after Spectre in its opening weekend, making a cool $40 million. 

Knock Knock (2015) [IMDB:5.0 , Rotten Tomatoes:33% , My Rating:3.0 ]

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Keanu Reeves is a husband alone at home when his family is away. Two young women knock on his door on a stormy night. Does it sound like the premise for a b grade flick? It does and the movie lives up to its ‘potential’. I guess Reeves is not getting any quality work. Avoid.

Anarkali (Malayalam, 2015) [IMDB:7.9, Rotten Tomatoes: Not Listed, My Rating:6.5 ]

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Capturing the breathtaking beauty of Lakshadweep islands, this Malayalam movie tells a passionate love story spanning more than a decade. A naval officer and his lady love endure the fierce oppostion from the girl’s father in pursuit of love. Shot almost entirely on the island, the movie introduces mainland Indians to life on the island. With a running time of 167 minutes, the film drags a bit in the second half. It compensates through stunning visuals and a simple yet effective screenplay. Certainly worth a one time watch.

Rani Padmini (Malayalam, 2015) [IMDB:7.2, Rotten Tomatoes: Not Listed, My Rating:6.5 ]

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After a few duds Aashiq Abu returns to form in Rani Padmini which tells the story of two women who are poles apart. One is bound by a sense of duty to her husband and the other is a practical minded lady with shades of grey. They meet on a road trip and discover themselves. Like most Aashiq Abu movies, nothing much happens during the movie. It is more about the conversations and the experiences. There are touches of humour especially when dealing with gangsters. There is even a hint of satire when the character insists that she only likes stories that ” have a message”. In its own way, the film is a tribute to independent women. The visuals are easy on the eye and the effort that has gone into making the film is only too evident. Overall, a movie worth your time.

Documentary of the Week

Amy (2015) [IMDB:8.0 , Rotten Tomatoes:96% , My Rating:7.5 ]

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Amy Winehouse was the first British woman to win five Grammy awards. She was only 27 when she died of alcohol poisoning. Her story. One of the documentaries of the year.

 

Eagerly waiting for: ‘By the Sea’ starring Brad Pitt and Angelina Jole and directed by Angelina Jolie.

Did you know: Before beginning his movie career Keanu Reeves used to manage a pasta shop in Toronto, Canada

Week 27

Movies: Non-English

A Hijacking ( Denmark, 2012) [ IMDB: 7.2, Rotten Tomatoes: 95%]

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Trailer: http://www.youtube.com/watch?v=IyMegiVnYwM

Somali pirates have given a new topic for filmmakers for ideating and the world is now raising a toast to the Tom Hanks movie ‘Captain Philips’. Incidentally, an equally acclaimed film on a ship hijack was released in 2012. Based on real events, the Danish film ‘A Hijacking’ is a gripping drama about a hostage situation. The focus here is more on the long drawn out negotiations. A psychological cat and mouse which focuses on the people than on the events.

Once Upon a Time in Anatolia (Turkey, 2011) [ IMDB:7.6, Rotten Tomatoes: 94%]

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Trailer: http://www.youtube.com/watch?v=4jKgHqU1jrs

There are some movies which make me want to visit the locations where they were shot. For example, I went to Bruges in Belgium only because ‘in Bruges’ was shot there. Anatolia in Turkey is one region i would like to visit after watching ‘Once Upon a Time in Anatolia’. The plot of the movie involves a police search for a dead body in Anatolia but then the film is not about the story. It is more an exploration of the terrain and its wild beauty. This movie is a visual treat even when most of the region is explored during the night. No wonder it won the Grand Jury prize at Cannes.

English Retrospective

Sixteen Candles (1984) [ IMDB: 7.1, Rotten Tomatoes: 86%]

sixteen-candles

Trailer: http://www.youtube.com/watch?v=WcKqtzj8LAg

The movie is a cult classic and one of the most rented movies on Netflix. Strangely, it still connects with teenagers, three decades after its release. This movie is a testament to the idea of beauty in simplicity. The story revolves around the sixteenth birthday of a girl. Though utterly predictable, the easy dialogues and carefree acting creates the right kind of ambiance. Almost all the credit for this goes to writer-director John Hughes who went on to make many memorable movies. An easy watch.

The Last King of Scotland (2006) [ IMDB: 7.7, Rotten Tomatoes: 87%]

Last_king_of_scotland_uk

Trailer: http://www.youtube.com/watch?v=iV_QgKJFZP0

Idi Amin was rumoured to have blood in the list of drinks he used to have during his tyrannical rule of Uganda. Forest Whitaker becomes Idi Amin in a performance which clinched him the Oscar. His Oscar winning speech is one of the most sincere I have ever seen. Watch it here http://www.youtube.com/watch?v=4-fGCHGTaGE . James McAvoy plays the Scot who became Amin’s personal physician. The movie has a brisk pace and is a piece of history told in an entertaining way. An underrated gem.

The Notebook (2004) [IMDB: 7.9, Rotten Tomatoes: 84%]

notebook

Trailer: http://www.youtube.com/watch?v=S3G3fILPQAU

A rich girl falls in love with a poor boy. That is a plot which gives cliches a bad name but with ‘The Notebook’ the story gets a new appeal altogether. Shot in breathtaking locales with freshly minted dialogues, the story is a an easy romance. The good part is that the best dialogues belong to Ryan Gosling and he has a field day mouthing them. The movie almost made it to the top 25 romantic movies covered by me a fortnight ago. It would have been a shoo in if it had been more tightly edited.

Movies I Saw This Week

Monsters University (2013) [ IMDB: 7.5, Rotten Tomatoes: 83%]

Monsters-University-banner

Trailer: http://www.youtube.com/watch?v=xBzPioph8CI

Coming to cliches, animation movies are now turning out to be a parody for real life cliches. In ‘Monsters University’ every single prop of a college movie is used which leads to mixed results. The story is as predictable as the plot of a Karan Johar film but the animation is exceptional. Some of the fine touches have to be viewed in slow motion. The animation movies are getting a little stale but this one is among the better ones to have come out in the last few years.

The Lone Ranger (2013) [ IMDB: 6.6, Rotten Tomatoes: 58%]

lone ranger

Trailer: http://www.youtube.com/watch?v=JjFsNSoDZK8

When the producer of ‘Pirates of Caribbean’ series makes a movie with the venerable Johnny Depp as a native Indian, you expect more. Here, you get more of the same. They just forgot that they were shooting another movie with a more serious theme. Depp cracks the same type of jokes he had in ‘Pirates of the Caribbean’ with elaborate action scenes to keep the kids glued. Along the way they forget the story and by the end the viewer also does not care.

The Internship (2013) [ IMDB: 6.3, Rotten Tomatoes: 59%]

internship

Trailer: http://www.youtube.com/watch?v=cdnoqCViqUo

I must admit that I now have a grudging admiration for the guys at Google. They made the longest corporate ad film and then got people to pay for watching it. Two guys who have zero skills land an internship at Google and then everything just works out perfect for them. They also educate us about various Google projects and products. In case you did not know, Google gives free food to its employees. Learn more such useful information as veterans like Vince Vaughn and Owen Wilson make complete fools of themselves in this utterly boring film scripted to sell the goodness of Google.

The Canyons (2013) [IMDB: 4.2, Rotten Tomatoes: 22%]

canyons

Trailer: http://www.youtube.com/watch?v=b5uTtNLUmCA

The only reason for watching this movie was the controversy over the working style of Lindsay Lohan. For such an apology for a movie, the real shock is that it is written by the same guy who wrote ‘Taxi Driver’.

Documentary Pick of the Week

American Movie (1999) [ IMDB: 7.7, Rotten Tomatoes: 94%]

american

Trailer: http://www.youtube.com/watch?v=_IzXD29halw

Some naive people want to be filmmakers. They have no money, no talent, no story and no sense. They do have truckloads of passion. A documentary which follows such a group. Tragically hilarious.

Eagerly Waiting for: ‘12 Years a Slave‘ because Steve McQueen makes movies which are painful to watch, in a good way.

Did you know: Sally Field who played Tom Hanks’ mother in ‘Forrest Gump’ is only 10 years older than him.