Edition 91

As we finish 2018, this year has been the best year for the blog in terms of readership with more than 500 views for each post. A big thank you to the readers across the globe and wish you a merry Christmas and happy new year!

The Non-English Movie of The Week

The Guilty (Denmark, 2018) [IMDB: 7.6, Rotten Tomatoes: 99%, My Rating: 7.5]

Trailer

An edge of the seat thriller from director Gustav Moller who uses every trick in the book to keep the viewer hooked on to the proceedings. The movie is a tribute to how sound effects can be used to drive the narrative. With minimal budget and only a handful of characters, the director is able to maintain the tempo of this cracking thriller. The few calls received by a troubled police officer at the emergency helpline form the movie’s screenplay. Must watch for the high concept and innovative storytelling.

Movies I Saw This Week

A Star is Born (2018) [IMDB: 8.1, Rotten Tomatoes: 90%, My Rating: 7.0]

Trailer

I am not going gaga over this movie. It is the third or fourth time that this screenplay or its various versions (discounting Bollywood ripoffs like Aashiqui) are making it to the big screen. For those who have seen earlier versions, there is nothing much in the movie. It is a fine debut for Bradley Cooper donning the director’s hat. Lady Gaga does light up the proceedings with her singing and some of the songs are a joy to listen to. Judged purely on its cinematic quality, this movie is short on its merits. It is a testament to the state of Hollywood that this movie is the most hyped and over billed contender this award season.

First Man (2018) [IMDB: 7.6, Rotten Tomatoes: 88%, My Rating: 7.5]

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Damien Chazelle makes his most carefully calibrated movie with the always wooden Ryan Gosling. As every human knows, Neil Armstrong was the first human to set foot on the moon. He was an enigmatic and reserved person tormented by personal tragedy. Ryan Gosling is weak as Armstrong in an otherwise strong film which starts slowly, picks up pace and has good liftoff towards the end. ‘First Man’ is not everyone’s cup of tea but in the category of tea it is the equivalent of the Makaibari Darjeeling tea: Elite and dwindling in quantity every year.

The Ballad of Buster Scruggs (2018) [IMDB: 7.4, Rotten Tomatoes: 92%, My Rating: 7.5]

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Coen brothers are back with a bang (well, mostly) in this anthology which stitches together 6 pieces to make what could have been a masterpiece but for the time being just is a good movie. Two of the six stories are misfits in an otherwise good collection. The acting is consistently good and the director duo bring their signature storytelling to all the sections. I especially liked the performance of Tim Blake Nelson. Highly recommended, more so if you like westerns.

Crazy Rich Asians  (2018) [IMDB: 7.1, Rotten Tomatoes: 91%, My Rating: 5.0]

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While watching this movie and after watching this movie, I have only one question, ” What was all the fuss about?”. Neither a cheesy romcom nor a strong drama, ‘Crazy Rich Asians’ falls flat with its insipid story and howlers in stereotyping. The only instances where Indian origin people are shown in the very multicultural Singapore is when they are hangers on who open doors and do menial jobs. The movie shows a Singapore even Singaporeans will fail to identify with. All the usual stereotypes about tomboys, gay men, Asians etc are paraded without the slightest hint of irony. This in a story about a woman who proudly announces her humble origins throughout the movie and asserts her identity and individuality. It does not help her cause that the story writers use and misuse every cliche including a last minute scene in an aircraft.

The House That Jack Built (2018) [IMDB: 7.1, Rotten Tomatoes: 74%, My Rating: 7.0]

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Lars Von Trier’s latest movie received copious amounts of boos and walkouts during its premiere at the Cannes film festival. It is not difficult to see why but in a rather twisted way (that is the only way with this movie), the film is watchable if the boldness of the filmmaker can be appreciated. The boldness does border on recklessness at certain points. With references to European horror classics like ‘Don’t Torture a Duckling (1972)’, this movie does push the envelope. For those asking, the movie is about a serial killer told from his point of view of the events. Not for the faint of the heart.

We the Animals (2018) [IMDB: 6.9, Rotten Tomatoes: 91%, My Rating: 6.0]

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Story of three siblings growing up and discovering themselves. The movie has many subtexts including parenting, sexuality, innocence and so on. What it does not seem to have is an editor who could have cut out large slices of flab, trimmed the movie and made it more appealing. Led by strong performances and a screenplay which promises more than it delivers, ‘We the Animals’ is a lost opportunity. In the hands of a more assured director, this movie could have been something else altogether.

A Simple Favor (2018) [IMDB: 7.0, Rotten Tomatoes: 85%, My Rating: 7.5]

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Harvey Weinstein discovery Blake Lively gets on in the act as the busy enigmatic mothers who disappears. Her friend Anna Kendrick is left with the unenviable task of uncovering the mystery. With ample plot twists and turns, ‘A Simple Favor’ offers an engaging view of the dysfunctional aspect of American lives. For a movie which is essentially a character study, the one thing I liked is the ambiance the camera creates. ‘A Simple Favor’ will not be remembered for a long time but is well worth the two hours of your life you will have to spend for it. Recommended.

The Sisters Brothers (2018) [IMDB: 7.2, Rotten Tomatoes: 85%, My Rating: 7.0]

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Joachim Phoenix has resurrected his career after the voluntary sabbatical and remains one of the finest actors of this generation. In this film, he plays the younger ‘brother’ of the duo chasing a gold prospector. More than a thriller or drama, the movie is a comedy if you can get the right cues. Some of the dialogues are funny to say the least. ‘The Sisters Brothers’ is not groundbreaking or mold breaking cinema and hopefully the creators never meant it that way. Once this baggage is cleared, this is an eminently watchable flick.

Documentary of the Week

Pick of the Litter (2018) [IMDB: 7.6, Rotten Tomatoes: 100%, My Rating: 8.0]

Trailer

Enlightening, engaging and in some ways touching documentary about the making of guide dogs for the blind. Must watch.

Eagerly waiting for: ‘Arcticbecause it received a 10-minute standing ovation at its premiere at the 2018 Cannes Film Festival.

Did you know: Yesteryear Malayalam director A B Raj was an assistant director for the David Lean classic ‘The Bridge on the River Kwai’.

Edition 79

The Non-English Movie of The Week

Train to Busan (2016) [IMDB:7.5 , Rotten Tomatoes: 96%, My Rating: 8.0]

train-to-busan

Trailer

Although I have seen all the Oscar nominees in the foreign language category this year, they have mostly been drab stuff. ‘Train to Busan’ is not nominated for the Oscars but it is what Hollywood would envy the south Korean movie industry for. ‘Train to Busan’ is an out and out entertainer which does not hold back for even a second on the thrills. With well crafted characters and wonderfully choreographed sequences, it is an edge of the seat thriller with a novel take on the zombie genre. I have never been to South Korea but traveling in a train in South Korea is not an experience I look forward to. ‘Train to Busan’ is one of the best movies ever in the zombie category. It is a ride I highly recommend.

Movies I Saw This Week

La La land (2016) [IMDB:8.5 , Rotten Tomatoes: 93%, My Rating: 8.5]

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Trailer

‘La La Land’ could have been a mediocre movie. If the music did not work, it could even have been a bad movie but the music worked. The acting worked. The direction was in secure hands. The producers wanted to change the story line but the director stuck to his guns. Much younger actors were to play the roles meant for Emma Stone and Ryan Gosling. All that did not happen. As the movie rightly portrays the glorious possibilities of life, it is those final few minutes and the last act of the story that takes it to heights seldom achieved in  movie making. ‘La La Land’ is the ‘Shawshank Redemption’ of romance for the impact the climax has on the movie. It is not just about the climax though. Emma Stone steals the show with her performance that should land her the Oscar. Ryan Gosling supports her in his own deadpan style. In many ways ‘La La Land’ is a reinvention of the musical genre.

Hacksaw Ridge (2016) [IMDB: 8.3, Rotten Tomatoes: 93%, My Rating: 7.5]

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Trailer

This movie based on a true story tells the tale of a war hero who refused to kill during war. Directed by the Hollywood bad boy Mel Gibson, the film is gory with many sequences of unfiltered action. That does create the setting of the war but takes away the story from its core of a conscientious objector’s fight to hold on to his beliefs and yet be an able servant to his country’s army. Andrew Garfield plays the character with a lot of heart but some inherent contradictions in the screenplay reduce the impact of his performance. It is also very difficult to understand, let alone appreciate his moral positions. By straddling the worlds of religion, country and army, Hacksaw Ridge delivers a message which is lost somewhere in the movie. Nevertheless, a one time watch.

Manchester by the Sea (2016) [IMDB: 8.2 , Rotten Tomatoes: 96%, My Rating: 8.5]

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Trailer

Let me say this aloud. If Casey Affleck does not get the Oscar for this performance, then it would be travesty of justice. ‘Manchester by Sea’ is the among the best two movies I have seen in the last one year. Superficially, it is about the story of man who is asked to take care of his brother’s young son after the death of his brother. The layers that the film unravels is akin to the experience of peeling onions. At every level, the story gets more interesting and new insights in to the life of the lead character emerge. Casey Affleck who is there in practically every frame of the movie delivers a pitch perfect performance. He brings to life the tortured soul whose awkward behaviour is based on his tragic past. The rest of the cast also perform competently. ‘Manchester by Sea’ is a great movie with a haunting and unforgettable performance by Casey Affleck. Must See.

Arrival (2016) [IMDB: 8.1 , Rotten Tomatoes: 94%, My Rating: 6.0]

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Trailer

‘Arrival’ has been generally well received but I am in the minority. (Spoilers ahead) It is a very pretentious movie where a linguist is called on to interact with aliens who have made contact with earth. The unfortunate part is that this is just a suitable prop for telling a story which has nothing to do with aliens. It is a manipulation of the intelligence of the audience with word plays on the concept of palindromes and another idea of the movie itself being a palindrome. Amy Adams plays a human character who for the sake of keeping up appearances to suit the screenplay of the movie does not believe in the notion of aging. So she looks the same at every age bracket she plays. Some cheap ideas to cement her credentials include the Sanskrit word for war and some other shenanigans of the director to suit the situation. Arrival is low level science, cheap propaganda and dimwitted screenplay disguised as high brow thriller.

Sing Street (2016) [IMDB: 8.0 , Rotten Tomatoes: 96%, My Rating: 8.0]

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Trailer

‘Sing Street’ is the most underrated movie of the year. It is also the feel-good movie of the year. A young boy in Dublin in 1985 falls in love with a girl at first sight. He makes the audacious move of inviting her to be in his band’s music video. She says yes. The problem is: he has to now form a band which he said he had. Filled with terrific music and authentic characters, ‘Sing Street’ delivers the kind of roller-coaster ride which keeps you engaged. The music videos that are shot are epic in nature. With some generous doses of humour and smartly crafted dialogues, the movie is also a toast to a time in history and the uninhibited freedom of adolescence. Highly recommended.

Southside With You (2016) [IMDB: 6.5 , Rotten Tomatoes: 91%, My Rating: 6.5]

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Trailer

Based on the first date of Barack and Michelle Obama, this movie is an easy watch. Similar in style to ‘Before Sunrise’, the story takes us to the first few hours the couple spent together walking the streets and visiting exhibitions. The dialogues are casual and the attempt is clearly to set a leisurely pace and make it look as informal as possible. The best part is the casting with actors who bring genuineness to the characters. Recommended.

The Queen of Katwe (2016) [IMDB:7.3 , Rotten Tomatoes: 92%, My Rating: 7.5]

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A true story of a chess champion from Uganda who creates history. ‘Queen of Katwe’ has its flaws but it has a deeply humane story at its heart which enthralls and captures the attention of the viewer. It does not stereotype the Africans in the movie. The everyday struggles of life in an impoverished neighbourhood and subsequent highs of international recognition are captured without exploiting or glorifying either of the them. There are no villains in the  movie. It is about normal people doing extraordinary things and (at the risk of sounding cliched ) the triumph of human spirit. Recommended.

Jolly LLB 2 (2017) [ IMDB: 8.0, Rotten Tomatoes: 74%, My Rating: 7.5]

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Trailer

The sequel to the award winning original is better made, has better production values and has much better actors in Annu Kapoor and Akshay Kumar. The plot is very engaging and at some points convenient. Akshay Kumar plays a lawyer who is as principled as Silvio Berlusconi. The hilarious introduction scene has him helping students rig  exams. The first half progresses well with the character having a change of heart. The second half is focused on the courtroom proceedings which are the best part of the movie with Saurabh Shukla and Annu Kapoor squaring off. There are many missing links in the story in the second half but they may be set aside as allowances for story telling. I personally liked the plot of the original more but this sequel holds on its own and delivers another success for Akshay Kumar. It is curious to note that every major hit of the actor in recent times has him play the ordinary man whereas other stars are scrambling to play larger than life characters.

Dhuruvangal Pathinaaru (2016) [ IMDB” 9.0, Rotten Tomatoes: Not yet rated, My rating: 7.0]

dhruvangal

Trailer

The movie which has 16 characters and relates to events over 16 hours is a decent thriller from a debutante director. The infirmities in direction are easy to see in the initial part of the movie. For a regular movie watcher, it is not difficult to see where the story is proceeding. Some of the scenes are predictable. The movie rises above the average fare by some inventive film making which relies on different versions of the story. At the same time, the compulsion on the part of the director to make it like a jigsaw puzzle in which all the pieces fall in place at the end is a distraction. Some ambiguity would have helped. The novelty about the movie is that when the same story is said by two different people there is a role reversal between the hero and the villain.

Documentary of the Week

I am Bolt (2016) [IMDB: 7.0 , Rotten Tomatoes: 83%, My Rating: 6.5]

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Trailer

Usain Bolt on what makes him normal. Other great athletes on what makes him special. The life and times of the fastest man in human history.

Eagerly waiting for: The Academy Awards

Did you know: There is something called the the Black List to determine the best screenplays for which there are no takers yet. Screenplays which figure prominently on the list have then been picked up and made into movies. Some of the films that saw the light of the day after featuring in the Black List are  Argo, American Hustle, Juno, The King’s Speech, Slumdog Millionaire, Spotlight and The Revenant. For more on this visit https://blcklst.com/ .

 

Edition 60

The Non-English Movie of The Week

Leviathan (Russia, 2014) [IMDb:8.0, Rotten tomatoes: 99%, My Rating: 9/10]

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Trailer:

Of the few hundred movies that I have seen in 2014, ‘Leviathan’ is the best. It is also the most depressing. It is unsparingly bleak, brutally honest and hauntingly beautiful.

A man decides to stand up against the might of the Russian State, in a coastal town where generations of his family have lived. His mortal enemy is the mayor of the town and when he summons his lawyer friend from Moscow to fight his case, he sets in motion a chain of events that spiral out of control. The vast expanse of the remote Russian terrain and the suitably frugal government offices conspire to cover up the opulence and decadence at the heart of the society. It would be a surprise if ‘Leviathan’ does not take the Oscar for the foreign language movie.

Movies I Saw This Week

Whiplash (2014) [ IMDB: 8.7, Rotten Tomatoes:96%, My rating:7.5]

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Trailer:

‘Whiplash’ has too many twists and turns. It could have been an ideal candidate for a script tying itself in knots but ‘Whiplash’ redeems itself by untying all the knots (or shall we say notes?) without making it feel like a Houdini escape. For the most part you won’t notice that such a short story is basically held together by some praiseworthy performances. In the case of J.K Simmons, it is also an Oscar worthy performance. In fact, if there is one category on which I am willing to put my money now, it is the Best Supporting Actor, for J.K. Simmons.

I was reminded of some of the teachers whom I had the misfortune of meeting and who confused rigor with inhumanity. ‘Whiplash’ is about a drummer who overcomes the hurdles placed by such a teacher. All this is told in a very engaging way and this has now helped ‘Whiplash’ to become the dark horse in the ‘Best Screenplay ‘ category at the Oscars.

Selma (2014) [IMDB: 7.7, Rotten Tomatoes: 98%, My Rating: 7.5]

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Based on an important chapter in the US Civil Rights Movement led by Nobel laureate Martin Luther King, ‘Selma’ tells a topical tale. Unfortunately, it was snubbed in categories like direction, acting and screenplay at the Oscars. It also revealed some interesting statistics: 94% of Oscar voters are white and 77% are white men with an average age of 63. Even Martin Luther King would have struggled to get a nod from such a group. The director Ava DuVernay has a double handicap. She is a woman and she is African American.

Coming to the movie, the creators of the movie were not allowed to use the actual speeches used by Dr.King. Still, the scenes are quite rousing and performed with anguish and passion. It is on watching such movies that one gets to know of Dr.King being whacked by every Tom, Dick and Harry who disagreed with him. As a movie, ‘Selma’ may not be a classic but it is  great chronicle of one of the struggles that shaped history. Highly recommended.

Cake (2014) [IMDB: 6.6, Rotten Tomatoes: 47%. My Rating: 5.5]

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Trailer:

There was a lot of heartburn when Jennifer Aniston was snubbed by the Academy in spite of concerted lobbying for a ‘Best Actress’ nomination. After watching ‘Cake’, I was wondering what all that hoopla was about. Clearly a movie made with the sole intention of fetching Aniston an Oscar, ‘Cake’ leaves a bitter taste in the mouth. Aniston plays  a character suffering from chronic pain (presumably) after a personal tragedy. Aniston went the extra length of wearing as little make up as possible for this movie. All she ends up delivering is an insipid performance. Now that Aniston got her ‘Cake’, she also got to learn that she cannot have the cake and eat it too.

Pride (2014) [IMDB: 7.9, Rotten Tomatoes: 93%, My Rating: 7.0]

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Based on a true story, ‘Pride’ is about the LGBT community and the miners who became bedfellows during Thatcher era miner’s strike in Britain. Set in Wales, the movie has a pleasing pace and gathers momentum as it progresses. The dialogues are fresh the creators have tried their best to keep the historical accuracy of events. A lively background also lifts the film from being pedestrian. It is a movie which is not bad but it would also be an exaggeration to call it a very good film.

Big Eyes (2014) [IMDB: 7.0, Rotten Tomatoes:71%, My Rating: 5.5]

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There was a Tim Burton who made thoroughly enjoyable movies like ‘Edward Scissorhands’. There is a Tim Burton who makes soulless movies like ‘Big Eyes’. Just like his favorite Johnny Depp, he also making uninspired movies. This one has Amy Adams essaying the role of Margaret Keane whose paintings of children with big eyes were a rage a few decades ago.  The trouble was that her husband fraudulently took all the acclaim and the millions generated from the sales of her paintings. It is about how the painter reclaimed what was rightfully hers. The whole movie looks like a stale 80s documentary where everything seems so artificial and simplistic. It is a story without any memorable moments. At some point in the movie, you wish that the agony had been shorter. Wish the editor of the movie had scissorhands.

Wild (2014) [IMDb: 7.3, Rotten Tomatoes: 90%, My rating: 4]

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This movie’s only purpose is to somehow land Reese Witherspoon another Oscar. If you have too much money and time, and your choice is between watching ‘Wild’ and paying somebody to kick you, do the latter. A woman goes on a wild trek to tide over a personal tragedy . That’s it. She backpacks and just walks. Reese Witherspoon wants an Oscar for acting in this movie. Many critics concur. I think they should be asked to go for a walk.

 

I (2015) [IMDB: 8.4, Rotten tomatoes: 55%, my Rating: 3.0]

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From my childhood I have enjoyed most of the movies from Shankar even when they had the same story of a man’s struggle against corruption. Muthalvan, Gentleman, Indian and Anniyan were essentially the same tale told in different ways. In ‘I’, corruption gives way to romance. The hero wants to take revenge on those who sabotaged his love and life. The director throws logic out of the window, digs a grave and buries science, and relies on low brow humor to hold together a film disintegrating like the body of the protagonist. Even the normally reliable AR Rahman is not able to give a hummable tune. The dictum followed by the director is to disfigure characters and make them look as repelling as his makeup man possibly could.  While Shankar created spectacles with a much lower budget in his earlier films, his revenge instrument in this big budget movie is a syringe. If you ever have to explain to a foreigner what this movie is about, tell him/her that it is the Indian version of ‘Beauty and the Beast’.

Documentary of the Week

Citizenfour (2014) [IMDB: 8.3, Rotten Tomatoes: 97%, My rating: 9/10]

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Trailer:

Edward Snowden. The documentary of the year. Must watch.

Eagerly waiting for: ‘Fifty Shades of Grey.’

Did you know: Jason Schwartzman, Sofia Coppola and Nicolas Cage are cousins.