Edition 94

The Non-English Movie of The Week

Burning (South Korea, 2018) [IMDB: 7.6, Rotten Tomatoes: 94%, My Rating: 8.0]

Trailer

‘Burning’ does not hit the viewer hard for about three-fourth of its duration. It is only after viewing the entire film that the finer points of the plot fall into place. Inconsequential scenes make sense and random dialogues fit in a jigsaw puzzle which looks different even after assembly based on the perspective of the viewer. The director uses metaphors abundantly while holding a mirror to contemporary Korean society. This mystery thriller tells the story of three youngsters who are acquaintances but share something far more than what is apparent. If you do watch this memorable movie, try to read up on it. The various interpretations by viewers of the scenes make for some interesting reading. Highly recommended.

Movies I Saw This Week

The Wild Pear Tree (Turkey, 2018) [IMDB: 8.3, Rotten Tomatoes: 94%, My Rating: 8.0]

From the director of ‘Once Upon a Time in Anatolia’ (a favourite of mine) and ‘Winter Sleep’ comes this three hour long movie of a young graduate trying to understand his role in the Turkish society while discovering himself. The movie is told through a series of long conversations with friends, family, strangers and a particularly acerbic yet incisive writer. The conversations reveal more about the protagonist and the people in the countryside of Turkey. Definitely worth three hours of your life.

Shoplifters (Japan, 2018) [IMDB: 8.1, Rotten Tomatoes: 99%, My Rating: 8.0]

Enigmatic and filled with surprises, ‘Shoplifters’ is a modern Japanese classic which showcases the craft and control of its director. A family’s life changes when they take in a small girl into their setup where they themselves thrive on stealing from shops and supermarkets. The director is successful in manipulating the viewers’ emotional response as the film progresses. The actors emote with perfection and the roving camera is a silent observer when the chickens come home to roost. Highly recommended.

Capernaum (Lebanon, 2018) [IMDB: 8.4, Rotten Tomatoes: 89%, My Rating: 7.5]

Acclaimed Lebanese director Nadine Labaki literally drags the viewer through the streets of Beirut in this movie about a young boy too sincere for his own good and yet corrupted by the environment. The clear triumph of Mrs Labaki is her ability to extract some phenomenal acting performances from the characters especially the protagonist. Poverty, refugee problems and parental responsibilities are dealt with in this movie which does tend to get a bit out of hand in the latter half. For all the good cinema on show, I had this nagging feeling that this could have been a much better movie with a better climax had more thought gone into the screenplay.

Border (Sweden, 2018) [IMDB: 7.1, Rotten Tomatoes: 96%, My Rating: 7.0]

Featuring what some call as the weirdest sex scene in cinema history, ‘Border’ offers a strange and compelling story about people on the fringes of the society. A lady border guard whose USP is her sensational sense of smell finds the reasons for her awkwardness and the dark history of eugenics in Sweden. The movie is, as all good movie must be, a director’s show. A special mention for the makeup department for transforming the actors who do not look anything like their real life personalities.

Instant Family (2018) [IMDB: 7.1, Rotten Tomatoes: 81%, My Rating: 7.0]

A light-hearted comedy which plays it by the book and still keeps the viewer engaged enough to care about the proceedings on screen. Based on the life of the scriptwriter, the movie tells the tale of a couple who look for adopting a child and end up with three. Rose Byrne pulls off a heart warming performance as a mother trying to understand her new children. There are no twists in the tale but there are some genuinely funny moments. Hope Hollywood can make more of the same.

On the Basis of Sex (2018) [IMDB: 6.7, Rotten Tomatoes: 74%, My Rating: 6.5]

There are two or three cracking dialogues in this movie. One is when a young Ruth Bader Ginsburg is asked by her dean on why she chose to study law when a man could have had her seat at the Harvard Law School. This biopic on the Supreme Court judge looks at the making of a legal eagle and her family life. While successful in depicting the entrenched misogynistic attitudes of her times, the movie has glaringly obvious ideas on how to also show the times. The number of times the characters smoke on screen must be some sort of a record for the amount of fumes on display. Maybe the director just wanted to drive home the point that smoking in public was a normal thing those days. Felicity Jones performs with earnestness as RBG but if you want to know the judge better, watch the documentary RBG. The documentary is better than the movie.

The Mule (2018) [IMDB: 7.1, Rotten Tomatoes: 70%, My Rating: 5.5]

Good old Clint Eastwood returns to direct and act in a drama on a real life drug carrier who was the oldest in the world in that trade. How do we know? He was caught by the law enforcement and a reporter wrote a long article on it. Then Eastwood decided that this is what he was going to make a movie on. Notable more for the lack of drama and a sure sign that Clint Eastwood must be talking to chairs ( https://www.youtube.com/watch?v=933hKyKNPFQ ) nowadays, ‘The Mule’ is for large parts boring. For the remaining parts, you are left wondering: why was this movie made?

Holmes & Watson (2018) [IMDB: 3.6, Rotten Tomatoes: 11%, My Rating: 2.5]

Will Ferrell was once funny. Once as in, ‘once upon a time’ and not just one time. Now like the tagline of his movie ‘They Don’t Have a Clue’, he seems to have lost it, completely. Inane, idiotic and unfunny are the words that come to mind when ‘Holmes & Watson’ is mentioned. This movie is the opposite of comedy. Dreamt up by people who bring a bad name to slapstick humour and filled with feeble attempts to write funny situations, this movie is the cinematic equivalent of the Greek economy. Nothing can salvage it. I hear that medical marijuana has been made legal in many US states. Probably the writer and director had some medical condition.

Documentary of the Week

Leaving Neverland (2019) [IMDB: 7.1, Rotten Tomatoes: 98%, My Rating: 8.0]

A damning documentary on Michael Jackson in the words of his accusers. Those words carry much weight. Not for the weak of heart. Not for the worshipers of Michael Jackson. For those who seek the truth.

Eagerly waiting for: ‘John Wick: Chapter 3 – Parabellum’

Did you know: Clint Eastwood, is an anagram for ‘old west action’

Edition 65

The Non-English Movie of The Week

Timbuktu (Mauritania,2014) [IMDB:7.3, Rotten Tomatoes:99%, My Rating: 7.5]

Trailer:

Once upon a time Timbuktu was synonymous with the last outpost of Western Civilization.  This town in North Mali at the edge of the Sahara desert was also a cultural centre of Islam. ‘Timbuktu’ the movie, does justice to the mysterious and tantalizing town while capturing the wild beauty of the nomadic life in the interiors of Africa. The movie won at Cannes and had a formidable run at the film festivals culminating in an Oscar nomination. The story is that of a cattle herder and his family whose traditional way of life is interrupted when the town is taken over by conservative Islamic terrorists. What ensues is a series of curbs on the life of the people, with football and music among the things banned. Mesmerizingly shot scenes only add to the authenticity of the film with a group of amateurs turning in performances they can be proud of. Though some of the scenes like the imaginary football one did not work for me, the movie is a definite winner for its ability to portray a polarizing subject dispassionately.

Movies I Saw This Week

Dear White People (2014) [ IMDB: 6.3, Rotten Tomatoes: 92%, My Rating:6.5]

Trailer:

At a time when USA is in the throes of major racial tensions, this film throws light on the lives of African-American students in an Ivy League university. It is a movie which focuses on the relationships and changing dynamics among the students with a dose of racial issues adding to the mix. The movie has good production values and for once there is a role reversal with the minority students playing the role of the erudite people and the whites being the troublemakers. Though the movie does flag towards the end, it is a one time watch.

Paddington (2014) [IMDB: 7.3, Rotten Tomatoes: 98%, My Rating: 7.5]

Trailer:

A bear from Peru lands up in UK and gets a place to stay with a kind family. Soon enough, a villain turns up and the rest of the story is about how good triumphs evil. The movie is told at a decent pace and keeps the viewer engaged. With dialogues which have an element of humour in them, the movie is quite an easy watch and certainly one of the good ones of 2014.

Jigarthanda (India, 2014) [IMDB: 8.6, Rotten Tomatoes: Not Rated, My Rating:7.5]

Trailer:

Billed by the producers as a “gangster-musical”, this Tamil film scooped a few National Awards including one for the antagonist played by Simhaa. In fact, he is the show stopper with his carefully nuanced performance becoming the highlight of a movie with a convoluted plot. A contestant in a TV show bags a project to direct a movie but the catch is that he must make a movie about a gangster. In his steadfastness, he starts to tail a real life gangster, only to be caught by the gangster. From there the movie takes myriad twists and turns before finishing in an anti-climax. Highly recommended.

Starred Up (2014) [IMDB: 7.4, Rotten Tomatoes: 99%, My Rating:7.5]

Trailer:

An instant cult classic for movies with prison as a background, ‘Starred Up’ starts on a high and vaguely resembles the French classic ‘A Prophet’ (2009). But then the movie gets into unchartered territory with a bit of family drama complicating an already tough tale. With a career defining performance from Jack O’Connell, the film is a gripping story about a standoff between a teenage prisoner and the establishment. Highly recommended.

Get Hard (2015) [IMDB:6.3, Rotten Tomatoes: 56%, My Rating: 5/10]

Trailer:

Will Ferrell plays a hotshot Harvard Business School Graduate (yes, you read that right) who makes money for fun on the stock market. Kevin Hart plays a car washer who nurses dreams of making his business bigger. Destiny brings them together. The movie does have some funny scenes but it is laborious in the second half and becomes boring as it keeps on moving away from its story brief.

You’re Not You (2014) [IMDB: 7.4, Rotten Tomatoes: 66%, My Rating:6.5]

Trailer:

This critically panned movie has received a much more favourable response from the viewers. It tells the story of a pianist who is diagnosed with ALS. As she disintegrates, she comes in contact with new people in her life. A tearjerker for those who are interested in crying, the movie does not have anything extraordinary to say. Even Hillary Swank who has an author backed role dwarfs in comparison with performances of people who share the screen with her.

Mr. X (India, 2015) [IMDB: 4.3, Rotten Tomatoes: 33%, My Rating: 2.5/10]

Trailer:

I believe that Vikram Bhatt gets to direct movies because his family produces and acts in them. Emraan Hashmi’s new flop has him gaining the power to become invisible. That helps Tanmay Bhatt of AIB to fill the screen. The lead actress in the movie has nothing to do. The producers could have done with just the lips of the lady as that is the only part of the actress called into action. Maybe, she could also have gained some power to disappear from the movie. The movie has low production values and is evidently directed by someone from another era. What more do you expect from a director whose last five movies were ‘Creature’, ‘Raaz 3’, ‘Dangerous Ishq’, ‘Haunted’ and ‘Shaapit’ ? Thankfully, the audiences also gained the power to become invisible from the movie halls.

Documentary of the Week

Going Clear: Scientology and the Prison of Belief (2015) [IMDB;8.3, Rotten Tomatoes: 96%, My Rating:8.5]

Trailer:

A look into the origin, growth and stupidity of the cult of Scientology. Must watch.

Eagerly waiting for: ‘The 100-Year-Old Man Who Climbed Out the Window and Disappeared‘  because titles don’t get more interesting than this.

Did you know: In the movie ‘Shrek’, the right hand page of the book at the end of the film says ‘The End’. The left hand page says ‘And they lived ugly ever after. ‘