Edition 69

The Non-English Movie of The Week

The Second Mother (Brazil, 2015) [IMDB: 8.2, Rotten Tomatoes: 95%, My Rating: 8/10]

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This movie, which stimulates careful consideration of the class divides in the Brazilian society, tells the story of a housemaid who lives in Sao Paulo, the financial capital of Brazil. The maid’s serene and stable life goes into a tailspin when her daughter who shares a frosty relationship with her comes to stay with her in Sao Paulo. The skillfully woven tale examines the dynamics of the relationships when an outsider challenges it in myriad ways. The comedienne Regina Case gives a performance par excellence and the acclaims the movie has received is well deserved. Certainly worth a watch.

Movies I Saw This Week

The Martian (2015) [ IMDB: 8.3, Rotten Tomatoes:93%, My Rating 7.5]

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While watching ‘The Martian’ the one thing that doesn’t strike the viewer is that the director Ridley Scott is 77 years old. With celebrated movies like ‘Gladiator’, ‘Thelma & Louise’, ‘Black Hawk Dawn’, ‘Kingdom of Heaven’ and ‘American Gangster’, ‘The Martian’ is the antithesis of what you would expect from a veteran. Brilliantly conceived and executed using cutting edge technology, the movie is an introduction to life on Mars (the planet and not the chocolate). Astronaut Matt Damon has to use all the wits at his disposal when he is stranded in the hostile environment on Mars while awaiting succour. The movie has a predictable story line and occasionally feels like a documentary. Also, it looks like an out of the world version of ‘Cast Away’ with a person trained to be better at being alone. That also takes away the emotional anger, distress and frustration that was essential in a movie like ‘Cast Away’. A 3D version also does not add anything to the movie. On a lighter note, how many times will Hollywood send missions to rescue Matt Damon after attempts in ‘Saving Private Ryan’, ‘Interstellar’ and now ‘The Martian’?

Talvar (2015) [IMDB: 8.6, Rotten Tomatoes:98%, My Rating: 7.0]

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‘Talvar’ is a barely camouflaged take on the infamous double murders to rock Noida, a suburb of Delhi. Though the parents of the girl were convicted and are serving their sentence now, the film tries to turn the story upside down. Viewed from an objective point of view, the movie is an unvarnished attempt to take sides and prove the parents innocent in the whole affair. It does not leave any ambiguity and even ridicules views contrary to the moviemaker’s desired stand. Simultaneously the movie raises some disturbing questions related to the handling of the crime scene and ‘confessions’ of some suspects under narco-analysis (The procedure has since been outlawed by the Supreme Court of India as no one can be forced to give evidence against himself/herself). What stands out in the movie are the stirring performance from the ever reliable Irrfan Khan and the sorry state of affairs in the government investigation agencies. The crux of the matter finally boils down to the access outsiders have in a household and how security is sometimes compromised. Director Meghna Gulzaar finally delivers a watchable movie after a history of duds but credit must largely go to the writing of Vishal Bharadwaj who pens an entertaining but ultimately flawed screenplay.

Inside Out (2015) [ IMDB: 8.5, Rotten Tomatoes: 98%, My Rating: 8.0]

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In animation in Hollywood, there is Pixar and then there are the rest. It is akin to a 100m sprint where there is Usain Bolt and the rest. The showcase feature from Pixar this year tells the story of a young girl trying to adjust to life in a new setting. Her emotions are controlled by distinct characters representing happiness, sadness, anger, disgust and fear. There are some nice touches like happiness and sadness sharing similar hair colour to imply that they are related. The movie does get a tad slow in some parts but overall is a joy to watch. Unless something exceptional is released, my money is on ‘Inside Out’ to win the next Academy Award for the ‘The Best Animation Picture’.

Spy (2015) [ IMDB: 7.2, Rotten Tomatoes: 93%, My Rating: 7.5]

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Melissa McCarthy stars as the spy in the movie which has some really smart writing to aid to an otherwise average story line. The element of humour is the only running theme in the movie. Aided by clever one liners and some outrageously funny scenes (like the one in an Italian restaurant), the movie is a breeze to watch. The unconventional appearance of the lead is exploited to the hilt and there is a delightful supporting cast of Jude Law, Rose Byrne, Jason Statham and Miranda Hart. Jason Statham lets his hair down in a role parodying his earlier efforts. All of this makes the movie a thoroughly enjoyable fare.

Amar Akbar Anthony (Malayalam, 2015) [IMDB:7.3, Rotten Tomatoes: Not Yet Rated, My Rating: 6.5]

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Marking the directorial debut of the multi talented Nadirshah (who has also set the songs to tune), this Malayalam movie tells the tale of three youngsters whose goal in life is to visit Pattaya in Thailand. The truth is that all this is a mere diversion for the antics that they end up performing. The movie is a series of anecdotes with the sole aim of getting a good laugh from the viewers. Some of the jokes achieve more than what they were expected to do. The serious angle in the movie seems to be an afterthought to bring some gravity to the proceedings. For the kind of comedy only Malayalam movies can provide, this is indeed a laugh riot.

Pyaar Ka Punchnama 2 (2015) [IMDB: 8.5, Rotten Tomatoes:: Not yet rated, My Rating:5.0]

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Based on the template provided by the original, this sequel goes all out to demolish women as vain, scatterbrained and egotistical individuals out to get the naive and goodhearted men. If only things could be that simple. Essentially a demolition job, this movie inadvertently  exposes the severe flaws of the characters it sets out to rescue. More than anything, it is about men who make deeply deficient choices. They seem to be thinking with other parts of the body than with their heads when making the choice of a girlfriend. Compared to the prequel where the men were sitting ducks, here they are foxy fellows who feign ignorance till it suits them. Finally when that time does come, they consider themselves as valiant martyrs in the cause of love. There is a cringe-worthy scene at the end where the men rediscover their love for their mothers. There is also an incoherent rant on women by one of the embattled men. The last time he did that it was amusing but now it looks like a forced addition. All in all, this sequel lacks the intellectual honesty of the original.

Katti Batti (2015) [IMDB: 4.4, Rotten Tomatoes: 26%, My Rating: 2.0]

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There is a scene in this movie when Imran Khan says, “Maa chali gayi” (Mother has gone). The expression on his face is that of a lifeless sculpture. I thought that he was telling that the mother has gone to buy groceries or to take a walk. Seconds later it dawned on me that he was announcing the death of his mother. I almost cried. Not for the mother but for the fact that I paid to see a non actor in a disaster of a movie. ‘Katti Batti’ is full of such moments where you curse the moment you decided to walk into the movie hall. Imran Khan has the acting abilities of a stone but then Kangna Ranaut is supposed to be one of the best of this generation. Even she looks like a kid lost in a fair with no idea of what is going on. The anti climax makes you wonder what was going on till that point in the movie. This film is s farce and I am being kind. The best actor in the movie is a turtle. Who gives money to Nikhil Advani to make movies and still does not have a change of heart after Imran Khan is cast in the lead role? There is a lot more that can be said against the film but the electricity consumed by my laptop when I type is worth more than the movie. Save electricity.

Documentary of the Week

Sunshine Superman (2015) [IMDB: 6.7, Rotten Tomatoes: 90%, My Rating: 6.5]

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The life of BASE jumping pioneer Carl Boenish. The footage of the jumps is exhilarating but the documentary is underwhelming. Still, an introduction to BASE jumping.

Eagerly waiting for: ‘Steve Jobs’ because of the ways in which people tried to stop it from getting made. Also because it is directed by Danny Boyle.

Did you know: The pile of excreta that the young Jamal jumps into in ‘Slumdog Millionaire’ was made from a combination of peanut butter and chocolate.

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Edition 66

The Non-English Movie of The Week

The Tale of The Princess Kaguya (Japan,2013) [ IMDB:8., Rotten Tomatoes: 100% My rating: 8.5]

Tale of The Princess Kaguya

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Coming from the legendary Studio Ghibli, this modern masterpiece in animation tells the story of an enigmatic princess whose life becomes entwined with the fate of a farmer couple. Though upstaged at the Oscars by the trashy ‘Big Hero 6’, this tale from Japan will be the one that stands the test of longevity in people’s memory. The movie is a mature piece of filmmaking with a screenplay which could have been made into a fantabulous film even if it were to be made with real actors. Highly recommended.

Movies I Saw This Week

Amira & Sam (2015) [IMDB: 6.1, Rotten Tomatoes:79% My Rating: 6.5]

Amira & Sam

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Sam is a war veteran and Amira is an illegal Iraqi immigrant in the US. Sam is a man of few words but is self assured and easygoing. Amira is boisterous and prone to rash decision making. They fall in love. This happens after more than half of the movie is over. Still, the movie is about romance. It is about normal people falling in love without any mushy dialogues or lilting background score. It is also about current realities; about issues like racism, white collar crime, PTSD and immigration. The movie sometimes bites off more than it can chew and the climax is an easy way out for the scriptwriter. For all its flaws, it is a simple story with good dialogues and is quite a breeze to watch.

The Living (2014) [IMDB: 6.4, Rotten Tomatoes: 48%, My Rating:5]

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A brother takes up the responsibility of dealing with his abusive brother-in-law. He hires a hit man to “take care” of the situation. What follows is beyond his expectations but to start with it would be unfair to say that he had any idea of what was to follow. In this determinedly average thriller, the thrill itself is the missing ingredient for a large part of the movie. With deadpan expressions from baby faced actors, to dialogues which seem to have been made up on the spot, the movie lets go of an opportunity and thereby becomes an average thriller which is value for money when it comes for free viewing on television.

Tanu Weds Manu Returns (2015) [IMDB: 8.5, Rotten Tomatoes: 78%, My Rating: 5]

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First things first. Kangana Ranaut is one of the finest actors in India now. She has achieved success without piggybacking on the triumvirate of Khans. She has even won two National Awards (winning only one does not count because that group includes duds like Saif Ali Khan, Karishma Kapoor and Raveena Tandon). She even gets the Haryanvi accent spot on.

Now the real deal. (spoilers ahead) ‘Tanu Weds Manu Returns’ is the kind of movie which comes on a wave of media hysteria that dubs it entertaining and with a push from paid reviews which rate it as nothing short of phenomenal. Anand L Rai is a past master at this type of promotion. The original to this sequel and ‘Ranjhnaa’ were equally worthless movies which appeal to perhaps that section of the audience to whom the black buck hunting Khan appears to be human. This movie is about a psychopath wife who leaves her husband in a mental asylum and finds joy in wrecking a marriage proposal by appearing clad only in a bath towel. Her estranged husband wants to marry a girl he has just met because she is his wife’s doppelganger. Her former boyfriend also wants to marry the same girl for the same reason. Talk about character and beauty being skin deep. As if one psychopath was not enough, the Haryanvi body double seems to have no clue about what is happening. She agrees to marry a man she hardly knows and who is double her age. She spews some rhetoric about women’s liberation and finally to top it all, stops her marriage literally half a second before it is sanctified. Then she goes and cries privately. Meanwhile the original diva who was sitting through the whole farce without a twitch of the eyebrow suddenly jumps up to retake the clearly confused husband. There is even a ‘progressive’ side track when another husband joyously accepts his cheating wife and a child born out of wedlock. If that is not enough there is another side track in which a man thinks that kidnapping a lady is the best way to show his love for her. Such a mockery of the audiences is celebrated as good film making. The movie may work with small town audiences who are waiting to be ‘entertained’ and for firm believers in the herd mentality. For others it is a reminder that the juggernaut of Indian media will run over you and blame you for the misfortune even when you are on the sidewalk.

Piku (2015) [IMDB: 7.9, Rotten Tomatoes: 83%, My Rating: 5.5]

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There is a scene in the movie when Irrfan asks Deepika, “Do you speak only about this all the time?”. ‘This’ here refers to shit. It is not surprising to know this because the writer of the movie is the same one who wrote ‘Vicky Donor’. She just migrated from sperm to shit. She tells the story of an unmarried daughter and her people repellent father who goes out of his way to alienate people. The major part of the story is about his bowel movement. That must be a cinematic first. For a movie which meanders along, the only saving grace is Irrfan Khan who brings some semblance of order to a script which is going nowhere. Even when it hurtles towards a predictable end, the screen presence and authentic performance of Irrfan Khan keeps the movie from becoming a cure to insomnia. Screen legend Amitabh Bachchan delivers a performance that does no harm to his reputation. That clearly cannot be said of Ms Padukone who seems to think that doing low budget art movies will make her a better actor or give her wider recognition.

It Follows (2015) [IMDB: 7.2, Rotten Tomatoes: 96%, My Rating: 7.5]

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Undoubtedly the best horror movie of 2015, ‘It Follows’ tells the story of a woman who has to accept the fact that a supernatural force is following her. She then has to find the reason why she is in that peculiar situation. With a background score that induces trepidation, this is a movie that demands your full attention. It is also a timely reminder that certain done to death genres can still be reinvented for one final hurrah. Highly recommended.

OK Kanmani (2015) [IMDB: 7.9 Rotten Tomatoes: Not Yet Rated, My Rating: 4]

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After box office bombs like ‘Yuva’, ‘Raavan’ and ‘Kadal’, director Mani Ratnam returns to his home territory of unconstrained romance with the half cooked ‘OK Kanmani’. With scenes which look eerily similar to ‘Saathiya’, the young romance is a confused tale with ambiguity writ on its moral moorings. ‘OK Kanmani’ wants to be modern without appearing to lose its traditional values. (Spoilers ahead). The movie supports live-in relationships and even has a scene where the lady pulls the man’s leg by suggesting an engagement. The irony is not lost on anyone when they get married in the climax of the movie. One is left wondering what all the fuss was about. Unfortunately, the cause of the movie is not helped by the fact that the scenes of high energy that appear on screen seem more fake than real. Mani Ratnam cannot even chuck the mandatory train scene which is there in all his movies. It only shows the slow decline of a film maker who was once the most sought after in India.

See You in Valhalla (2015) [IMDB: 5.2, Rotten Tomatoes: 43%, My Rating:4 ]

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There is a line in the movie, “If we didn’t have the bad stuff, then how would we recognize the good?”. Now I know how good the other movies are.

Documentary of the Week

Antarctica: A Year on Ice (2013) [IMDB: 7.6, Rotten Tomatoes: 86%, My Rating: 8]

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A year of living in Antartica. Get the biggest screen possible. The visuals are jaw dropping.

Eagerly waiting for: ‘Masaan’ because it is an Indian film which won two awards at Cannes. That is what you call a black swan event in cinema.

Did you know: ‘The Birth of a Nation’ (1915) was the first film to be viewed in the White House.

Edition 62

The Non-English Movie of The Week

Force Majeure (Sweden, 2014) [ IMDB: 7.4, Rotten Tomatoes:93%, My Rating: 7/10]

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‘Force Majeure’ is a movie about relationships and trust. In life’s key moments, would you go for self-protection or would you go the distance to protect those who count on you? A Swedish family vacationing in France faces the consequences of such a situation, thus exposing the fault lines within relationships which had been taken for granted. At another level, the story is that of redemption and restitution of faith. Not exactly for audiences who like to have fun at the cinemas, ‘Force Majeure’ was a strong performer at the festival circuits last year. It bagged the Jury Prize at Cannes during this run and was tipped to be a shoo in for the Foreign Language Oscar nomination. So when it did not grab that coveted nomination, the director of the film went into a meltdown which was captured in the following clip:

Movies I Saw This Week

Kingsman: The Secret Service (2014) [IMDB: 8.2, Rotten Tomatoes: 87%, My Rating: 7/10]

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One of the best ‘leave your brain at home’ movies that I have seen in recent times, this one keeps the pace intact throughout the course without ever flagging. Even when acutely aware of the fact that the underdog will save the world, the viewer gets a feeling of something fresh happening on the screen. The write smartly sets up clichéd scenes and has a conversation about the scene being clichéd. Then he does the obvious. Is the obvious a cliché? Colin Firth and Samuel Jackson handle their roles with ease and the relatively new Taron Egerton does a competent job. The plot is about a secret ‘Secret Service’ with limited membership which does the difficult task of saving the world. The hero is the equivalent of an adolescent James Bond but with a baseball cap and the Swedish Princess for a ‘girlfriend’. The movie unintentionally throws up some interesting questions about corporate czars influencing the politics of the world. These type of interesting questions are thrown up in the midst of a lot of fun. After all, when was the last time you had a hero called Eggsy saving the world?

The Lunchbox (2013) [IMDB: 7.8, Rotten tomatoes: 96%, My Rating: 7.5/10]

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I saw this movie only now and that too after it received a BAFTA nomination. That is the sad part. Only a BAFTA nomination could persuade me to watch what is essentially one of the best Indian movies of last year. The move tells the poignant and unlikely romance that develops when the lunchboxes of two people are exchanged in the extremely rare event of a mistake by the Dabbawallas of Mumbai. With moments that bring the best of times bygone including the old Doordarshan shows and cheesy romantic songs of the 90s, the movie also blends in side tracks like the one featuring the ever reliable Nawazuddin Siddiqui. Filled with genuine humour (spoiler ahead) in situations like the one in which the Dabbawalla quotes Harvard to dismiss suggestions of any mismanagement, this film is one you will not forget very soon.

John Wick (2014) [IMDB; 7.2, Rotten Tomatoes: 83%, My rating:6.5/10]

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Keanu Reeves is John Wick. In his heyday, John Wick was a hitman par excellence. Then he found love and then came retirement. Once his love was dead there was no reason to remain in retirement. At this point, we are only 5 minutes into the movie. The rest of the movie is about how John Wick finishes off all his adversaries and even some bystanders. If you like suave actions flicks featuring a protagonist with a lot of panache, ‘John Wick’ is the movie for you. If gun shots sound like music to your ears, then you may think you are watching a philharmonic performance. Keanu Reeves deserves some appreciation for his ‘performance’. Afterall, it must have been tough to have the same expression during the entire course of making of this movie.

Dum Laga Ke Haisha (2015) [IMDB: 8.0, Rotten Tomatoes: 72%, My Rating:6.5/10]

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Ayushmann Khurrana was staring at the abyss after delivering three consecutive box office bombs. He must have been relieved to have an Yash Raj film in his kitty but even he would not have realized the enormous (there will be a few more bad puns in this review) potential of a film which could have weighed him down. Quite easily the ‘Queen’ of 2015, ‘Dum Laga ke Haisha’ is a delight to watch even when the dialect is sometimes a little difficult to grasp. Set in the 90s in Haridwar, the movie takes you to a time when Kumar Sanu’s nasal voice used to rule the roost. Evidently shot on a low budget, the film tells the story of the arranged marriage between two disparate souls. The one who takes the cake (and perhaps eats it too) is debutante Bhumi Pednekar who gives a confident performance as the assertive young daughter-in-law. She shows that size really does not matter. It is her free spirit that makes the film worth watching. Interestingly, hardly anybody left the movie hall till the Kumar Sanu-Sadhna Sargam track finished playing along with the titles.

The Rewrite (2015) [IMDB: 6.1, Rotten Tomatoes: 645, My Rating:5/10]

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Out of work Oscar winning writer lands a teaching job in an obscure town where he turns things around. He also discovers love and unearths a new talent. Aided by the electric smile of Marisa Tomei and not so electric smile of Hugh Grant, the movie chugs along without gathering too much pace or slowing down considerably. This movie could have starred Adam Sandler and Drew Barrymore instead. Or Vince Vaughn and Jennifer Aniston. It would still be the same and it wouldn’t matter. It is one of those movies which you wouldn’t mind watching but would have a hard time recollecting after a few months.

Fifty Shades of Grey (2015) [IMDB: 4.2, Rotten Tomatoes: 26%, My Rating:3/10]

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At an artistic level, it is one of the worst films to have come out in recent times but the promotion and the sustained marketing campaign hava been a good case study on how to go about getting the audiences to watch this movie. If explicit content is the lure for you to watch the movie, then cut to the chase. Certainly one of the duds of the year.

NH10 (2015) [IMDb: 7.4, Rotten Tomatoes:67%, My Rating: 3/10]

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(Spoilers ahead) Surely one of the most illogical and nonsensical movies of the last five years. Produced by Anurag Kahyap and Vikramaditya Motwane, this movie has more holes in the script than what a punching machine would ever be able to achieve. The liberated girl has to be a smoker and her birthday gift is the freedom to smoke. I thought that this was so passé. She has a nutty husband who seems to have turned off the functioning of his brain. Only the script writer knows what he was smoking when he dreamt of the sequence when the guy goes with a gun to counsel someone in the middle of nowhere. Seriously? Then, people kill each other. The heroine runs around the whole of Haryana in search of help. Only people who help her out are migrant labourers from Bihar. Then she runs again, then she cycles, then she kills the policeman and steals the police vehicle. Then she runs again. After running so much, she lands up at the home of the people who are chasing her. Of all the houses in all the villages in all of Haryana, she walks into the only house which she should have avoided. Rick from ‘Casablanca’ would have been so proud. After being beaten to pulp by her tormentors, she conveniently finds a way to get the keys to their car. Then she makes them run around the village before killing them while she chases them in their car. They run as if she knows their village more than them. They run as if the only direction they know is ‘straight’. I ran to the side because the movie hall had exits on the side.

The Boy Next Door (2015) [IMDB: 4.3, Rotten Tomatoes: 11%, My Rating: 1/10]

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A youthful divocee falls for her new neighbor. It takes her some time to realize that her neighbor is a bad guy, a really bad guy. Staring at the midday sun is a less painfull experience than watching this flick.

Documentary of the Week

Finding Vivian Maier (2014) [IMDB: 7.7, Rotten Tomatoes: 94%, My Rating; 7.5/10]

Finding Vivian Maier

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The captivating story of a street photographer whose treasure trove of great photographs numbering more than 100,000 was discovered after she had died as a destitute old lady. Also, a reminder that in photography, it is the person behind the camera that matters more than the camera itself.

Eagerly waiting for: ‘ While We’re Young’ starring Ben Stiller and Naomi Watts.

Did you know: ‘American Sniper’ is the highest grossing war film of all time.

Week 17

Movies: Non- English

Good Bye Lenin ! ( Germany, 2003) [IMDB: 7.7, Rotten Tomatoes: 91%]

goodbye lenin

Trailer: http://www.youtube.com/watch?v=mIjSaHUKD5I

A mother in East Germany goes into a coma for 8 months. When she returns from it the doctors tell her son that she should not be subjected to any exciting or upsetting news. Not a big deal under normal circumstances but the circumstances are far from normal as East and West Germany happened to be unified when she was in the coma. To make matters worse, she happens to be a staunch supporter of East Germany. Now her son must go the extra mile to create an illusion of East Germany for his mother. The film tells the story of his efforts (often with hilarious results) at trying to achieve that. This heartwarming tale is as personal as it is political. In trying to recreate East Germany the film delves into what the change really means for the man on the street. It is a an easy watch. Recommended.

Infernal Affairs ( Hong Kong, 2002) [IMDB: 8.1, Rotten Tomatoes; 95%]

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Trailer: http://www.youtube.com/watch?v=S4R3nHkqyfM

This film from Hong Kong which is the original of ‘The Departed’ is so good that it is the only instance in the history of Academy Awards that the award for screenplay went to a film already made in another language. Made at a fraction of the cost of ‘The Departed’, it is considered by many to be better than the remake. The story revolves around a crime syndicate which has a mole in the police while the police also have their man inside the syndicate. The race is to find out who will expose the other first. Racy and with more twists than any movie in recent history, the film is told at a pace which will keep you at the edge of your seat. Crime has always interested me as a genre and if you share the interest, this is a must watch film.

Hollywood Retrospective

Citizen Kane (1941) [ IMDB: 8.5, Rotten Tomatoes; 100%]

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Trailer: http://www.youtube.com/watch?v=VTQXFMDpBtw

If I had to make a list of movies to see before I die, ‘Citizen Kane’ would be in the top three. Words are not enough to describe this monumental piece of film making. No wonder that it has consistently (except for the last vote) topped the list of American Film Institute’s poll for the greatest movie of all time. Though made in 1941, it has never bored me on multiple viewings and each time I have discovered something new. Besides a great story told in the most engaging way, the movie was groundbreaking for the innovations in shooting and lighting it brought to the world of cinema. It was the first film to use ‘deep focus’ which is evident in the scene in which the child is seen playing outside the home as the parents discuss inside. It introduced many innovations including shots of the camera passing through objects and the sense of lighting in the film is unrivaled. The maniacal passion of Orson Welles is transformed onto the screen. The film was cruelly neglected at the Academy Awards due to pressure from businesses which were purportedly depicted in a poor light in the movie but with each passing year the film has gained in stature. The story is that of a business magnate who dies with his last word being ‘rosebud’. The film is a journalist’s attempt to decipher meaning of the word and this takes us on an biographical account of the protagonist. Don’t miss the greatest American film ever made.

The English Patient (1996) [IMDB: 7.3, Rotten Tomatoes: 84%]

english patient

Trailer: http://www.youtube.com/watch?v=xFdGAHjaOcM

Winner of nine Oscars, ‘The English Patient’ is the closest to poetry in cinema. Each scene has been choreographed to perfection  so much so that even violence looks poetic. Unforgettable images which are too many to mention. The film is based on the international best selling novel by the same title. The story has been modified and ends before the novel ends. The effect of adapting from a well written novel is that the words are weighed before they are spoken. Not even a sentence is in excess. The film revolves around a spy who feigns memory loss when captured by Allies during the Second World War. Like him, all who deal with him are also going through the loss of their loved ones. The bed ridden spy who is awaiting his death has a passionate and ultimately doomed love story to tell. This is not the type of movie everyone will enjoy. It requires patience and heightened cinematic sensibilities to fully appreciate what is on screen. It is also one of the few movies which led me to despair at the unfolding human tragedy on screen. An absolute must watch in my opinion.

As good as it gets (1997) [ IMDB: 7.7, Rotten Tomatoes: 86%]

as good as it gets

Trailer: http://www.youtube.com/watch?v=BXHxg6Ug9GM

There are some movies which have so many good dialogues that you are willing to remember a few of them. “You make me want to be a better man” is one of the most romantic dialogues I have ever heard. The movies is not all soft and sweet. On being asked how he rates women so well, the novelist replies, ” I think of a man and then I take away reason and accountability.” The movie is the story of a misanthrope who has a soft core and who keeps away from people to avoid being hurt. I absolutely adore the dialogues in the movie but the best part is that all the characters are so well etched out and the casting is also good. Even the fringe characters have some really good lines. Again a must watch if you ask me.

Movies I Saw This Week

The Story of Luke (2012) [IMDB: 6.9, Rotten Tomatoes: 83%]

The-Story-of-Luke-Poster-Social-EmptyNote

Trailer: http://www.youtube.com/watch?v=i3c6Jy5sHhc

An autistic young man’s efforts to be self reliant. The movies is an above average attempt and has good dialogues and acting. It does not have a triumphant tone or any sense of fatalism. It keeps things practical. With little more effort it could have been a really good movie. I am not complaining though.

D Day (India, 2013) [IMDB: 6.9, Rotten Tomatoes: 69%]

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Trailer: http://www.youtube.com/watch?v=6NlCkqBGnRY

The idea of the movie germinated after the killing of Osama Bin Laden. If Americans can do it why can’t India get Dawood Ibrahim? The film explores the possibility of such an operation. Since the director is Nikhil Advani who has given only monumental flops after his debut hit ‘Kal Ho Naa Ho’, I was expecting a pathetic film but I am happy to report that the film moves so quickly that it papers over the lack of logic until the climax where things get out of hand. Strictly a one time watch and that too if you like action thrillers.

Lootera (India, 2013) [IMDB: 7.5, Rotten Tomatoes: 80%]

lootera-poster

Trailer: http://www.youtube.com/watch?v=aQsK_BywAAc

Vikramaditya Motwane is a promising director whose debut film premiered at the Cannes. His second outing is visually rich but he seems to have sacrificed pace for creating a brooding romance which is painfully slow in most parts. Anyone who has read O Henry stories will be able to guess what is going on and what will happen. The movie has its heart in the right place. Wish the editor had the scissors in the right place too. Still, I would recommend this one as it is any day better than the masala movies which rule the roost in India.

G. I. Joe: Retaliation (2013) [ IMDB: 5.9, Rotten Tomatoes: 51%]

Gi-joe-retaliation-poster-1

Trailer: http://www.youtube.com/watch?v=4TPPWVoXBUk

What is the point? How many movies will they make like this before they sleep in the sand? The answer my friend, is blowin’ in the wind.

Documentary Pick of the Week

Super Size Me (2004) [IMDB: 7.4, Rotten Tomatoes: 93%]

supersize me

Trailer: http://www.youtube.com/watch?v=I1Lkyb6SU5U

One guy decides to eat only at McDonald’s for a month and tries to monitor how it affects his health. Quite entertaining. It also made McDonald’s change its menu. Now that is what I call an achievement. He also got nominated for an Oscar.

Eagerly waiting for: ‘Prisoners’ because it has Hugh Jackman and Jake Gyllenhaal.

Did you know: Football legend Pele has acted in eight movies and written story for two of them.