The Non-English Movie of The Week
Son of Saul (Hungary, 2015) [IMDB: 7.7, Rotten Tomatoes: 96%, My rating: 9.0]
One of the most emotionally draining movies of all time, ‘Son of Saul’ effortlessly canters into the status of a classic. With accolades which include top prizes at assorted film festivals including Cannes, and the Best Foreign Movie at the Oscars, the movie is a compelling tour-de-force. The story revolves around a Jew who is tasked with handling ‘operations’ in the Auschwitz concentration camp and his desperate attempts to organize a religious burial for his son who is gassed to death. ‘Son of Saul’ is one of the most original films I have ever seen.The camera focuses on the protagonist and the story is told through his silent despair. Even when the background is mostly out of focus, the horror at the concentration camp is very much in focus. The utter disregard for human life and the clockwork precision of activities at the camp would have been shocking if they had not been deeply moving. This is a movie you will find difficult to forget.
Movies I Saw This Week
The Man Who Knew Infinity (2016) [ IMDB:7.9, Rotten Tomatoes:62%, My Rating:6.5 ]
Srinivasa Ramanujan was a self taught genius who could have revolutionized the field of mathematics but for his untimely death. In his short life span he was able to create ripples in the lake that is mathematics. The movie version shines a light on his remarkable life but is let down by the sloppy acting of Dev Patel. His acting is still in the infancy of ‘Slumdog Millionaire’ days. Jeremy Irons saves the day by virtually carrying the scenes with his screen presence and dialogue delivery. The hackneyed script meanders along before it is set on its due course. There are some redeeming factors which don’t let the film sink but a far better movie would do justice to S. Ramanujan. Till then, if you want to see a movie with a mathematics genius, watch ‘Good Will Hunting‘.
10 Cloverfield Lane (2016) [ IMDB:7.6, Rotten Tomatoes:90%, My Rating: 7.0]
’10 Cloverfield Lane’ would have been a classic but for its title. That sentence will make sense when you watch the full movie. A young woman finds herself in an underground bunker after a car crash. Her rescuer claims to be protecting her from the perils of the outside world. She also has company in the form of another hostage. As her stay extends in the bunker, her will to escape gets stronger. The movie is engaging but the jarring background score in the initial parts of the movie distracts the viewer more than it thrills. Even then the anticipation of what lies ahead is never lost. There are some neat tricks in the screenplay like the scene in which the protagonist removes the mask and discovers that everything is normal. ’10 Cloverfield Lane’ is a good sequel and lays the groundwork for another sequel but it could have been much more than that.
Eddie the Eagle (2016) [ IMDB:7.6, Rotten Tomatoes:86, My Rating:7.5 ]
There is nothing like a feel good movie. Feel good movies from the sports arena are especially captivating because who doesn’t love an underdog story? Eddie Edwards was not shooting for the stars when he chose skiing. His single-minded pursuit was for Olympic glory. He did not even want to win. He just wanted to be an Olympian. This movie, based on real events, is his story. Taron Egerton transforms to Eddie Edwards and makes him a lovable character. Hugh Jackman has fun in a role that helps him break the mold. Together they create an engaging duo in a well written movie with all the paraphernalia that accompany such movies. For a movie which has a guarantee of a happy ending written all over it, ‘Eddie the Eagle’ is a good watch.
Hush (2016) [ IMDB:6.7, Rotten Tomatoes:100%, My Rating:7.5]
‘Hush’ is the story of a deaf-mute author who is under siege from a killer while alone at home. The killer reveals himself to her and makes it amply clear who is in the driver’s seat. What ensues is a cat and mouse game with the death of one of them as the only way to end the standoff. Deftly handled scenes and some fine acting make this movie a top class thriller. Definitely worth a watch.
The Ardennes (Belgium, 2015) [ IMDB:7.0, Rotten Tomatoes:Not yet rated, My Rating:6.5 ]
‘The Ardennes’ from Belgium tells the tale of two brothers over the course of four years when one of them is convicted for a botched up crime. The movie has a wafer thin plot and moves at a languid pace for most part. It is predictable to some extent but it is the last twenty seconds of the movie that take it another level altogether. The easy thing to do to is to skip the scenes which don’t have dialogue in them. If it were to be reduced to one hour, the movie would have been a rather short and sweet package. Nevertheless, a good film.
The Jungle Book (2016) [ IMDB:7.9, Rotten Tomatoes:94%, My Rating:7.5]
‘Jungle Book’ brings a truckload of nostalgia. When I was a kid (that was a quarter of a century ago), ‘Jungle Book’ used to be one of the main cartoons on Doordarshan (India’s official TV network). From the remarkable run this movie version is having at the box-office, it is safe to assume that it is not just me who is having a bout of nostalgia. The success of the movie is also because of the technical wizardry at work. The scenes are captivating and the editing is sleek. There is no dull moment in this masterful production of a much loved novel. There are some discordant notes though. In the original Jungle Book the snake ‘Kaa’ was a male and friendly to Mowgli but in the film Kaa becomes a female and becomes a dangerous adversary. Similarly, the monkey king is given mannerisms, crooning and dialogues similar to that of an African-American. Small discordant notes. Enjoyed the film though.
Creep (2015) [ IMDB:6.2, Rotten Tomatoes:96%, My Rating:6.5]
‘Creep’ is shot in the ‘found footage’ format. A craiglist ad entices a videographer to take up a one day shoot in a remote area. When he arrives there he finds his spooky but well meaning guest. The videographer’s sympathies soon turn into pure angst and fear. For once, he does not realize what he has signed up for. In some ways the naivete of the protagonist is the cause of all his perils. I wondered more than once on the improbability of the plot and also how easily the videographer’s concerns were rubbished by the police. If you sweep such inconsistencies under the carpet, the movie is a rather engaging watch. Mercifully, it is only 77 minutes long.
Jacobinte Swargarajyam (Malayalam,2016) [ IMDB:7.9, Rotten Tomatoes:Not listed, My Rating: 7.5]
Dubai is a mirage in the middle of a desert. It is in this Dubai that dreams are built and hopes are shattered. When the 2008 economic crisis and a cheating business partner create the perfect storm for a family, the family finds strength and courage from sources hitherto unknown to them. ‘Jacobinte Swargarajyam’ tells the story of that family. Based on real events, the movie does not fall into the trap of being excessively sentimental. The makers also resist the temptation of making it a riches to rags to riches story. The focus is on people: within the family and outside it. Another piece of evidence to show that the best movies in India are made in non-Hindi languages.
Baaghi (Hindi, 2016) [ IMDB:5.9, Rotten Tomatoes:63%, My Rating:5.5]
This movie is vehicle for Tiger Shroff to establish his credentials as an action hero. The problem with it is that it looks dated and the story and screenplay seem to have been stolen from the tomb of Tutankhamun. The director is so out of his ideas that he even recreates a song sequence of ‘Dil-Se’ in his thoroughly boring songs. Not content with this he also has a copy of a rain song which looks eerily similar to another song in the Tamil film ‘Mazhai’ (That movie is a remake of Telugu hit ‘Varsham’. The formula is simple. Action sequence followed by a song. Repeat. The jokes could have been called stale but they were pickled a long time ago by other filmmakers to extend their expiry dates. Good that they shot most of the movie in Kerala because people there could have never understood the nonsense they were being subjected to.
Sairat (Marathi, 2016) [ IMDB:9.5, Rotten Tomatoes:Not listed, My Rating: 8.0 ]
Official selection at the Berlin International Film Festival and on course to be the biggest Marathi film of all time, ‘Sairat’ holds a mirror to the deep seated caste prejudices in our society. Unnecessarily long at 170 minutes, the movie is about the budding love between youngsters from two different castes and the ramifications of their love. Told through the eyes of the leading lady (Rinku Rajguru in a National Award winning role), the film is a breeze in the first half. The director steadily builds the story and adds more gravitas to the proceedings in the second half. The score does no harm to his efforts. It is difficult to write more without giving away the plot details but suffice to say that the climax of the film is truly exceptional for the thought that has gone into it.
Fan (Hindi, 2016) [ IMDB:8.0, Rotten Tomatoes:82%, My Rating:4.0]
Nobody loves Aryan Khanna (that is, Shahrukh Khan) more than Gaurav Chandna (that is, Shahrukh Khan). The word ‘Narcissim’ traces its origin to a young Greek called Narcissus who fell in love with his reflection in a pool. What if people turned suicidal after watching ‘Dilwale’ and ‘ Happy New Year’? SRK still has fans going crazy in front of his house when he cares to wave at them. He has fans willing to kill for him. He has fans willing to die for him. He has producers who make films for him. He has writers who indulge his megalomania. He can make films where the other actors have nothing to say or do. He can hold forth on issues affecting the nation as if he really cares. He can release films in movie halls and expect people to watch. But he cannot make even his fans watch a film called ‘Fan’. Alas, even SRK’s fans have brains.
Documentary of the Week
That Sugar Film (2014) [ IMDB:7.3, Rotten Tomatoes:64%, My Rating:6.5]
A documentary chronicling the ill effects of sugar on the body. Informative.
Eagerly waiting for: ‘Kabali’ because there is no one like Rajnikanth
Did you know: “Shahrukh” means “face of the king”