Edition 81

The Non-English Movie of The Week

The Eagle Huntress (Mongolia, 2017) [IMDB: 7.6 , Rotten Tomatoes: 92%, My Rating:7.5]

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A cross between a movie and a documentary, Eagle Huntress tells the tale of a girl and her attempt to break the glass ceiling in the wilderness of Mongolia. The Eagle Huntress is an ode to women and all those who want to take a shot at changing the status quo. The film soars as it progresses and takes the viewer on an unforgettable journey with the stunning Mongolian landscape adding to the ethereal beauty of the proceedings. The movie is certainly one of the better photographed ones in recent times but all the credit must go the protagonist who keeps it engaging throughout the 87 minutes. Those 87 minutes just fly away. Highly recommended.

Movies I Saw This Week

Get Out (2017) [IMDB:7.8 , Rotten Tomatoes: 99%, My Rating: 8.0]

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There is a lot of mischief in ‘Get Out’. It is subversive, suggestive and sufficiently subtle. At the same time it does not hold back its punches. At its core, it remains a thriller but the racial dimension elevates the movie to another level. ‘Get Out’ is undeniably one of the best movies of the year and it earns its stripes with the solid screenplay and unconventional plot. A black man with a white girlfriend visits her parents for the first time. He gets more than what he bargained for and then he must get out or be killed. Expect no mercy from the director or any show of overt sentimentality. Fasten your seat belts for en edge of the seat thriller worth every penny that you will pay for.

War Machine (2017) [IMDB:6.2 , Rotten Tomatoes: 55%, My Rating: 6.0]

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Based on a Rolling Stone article which led to the resignation of a top General in the US army, ‘War Machine’ is a commentary on the triumphs and trials, more so of the latter, of USA in the Afghan war. A workaholic General is put in charge of salvaging the Afghan operations of the ‘Coalition of the Willing’. He believes that he can turnaround the situation by makes the locals allies in the war on the Taliban. His simplistic approach does not cut much ice and he then enters into a game of chess, bordering on the silly, with the US administration. The movie meanders a lot and is akin to a documentary puzzled together by a crew. There is no plot and when the finale occurs, the viewer is bewildered by the sequence of events. The saving grace is that the events are relatively engaging but the question of what was all that about is the one that lingers as the final credits roll.

Miss Sloane (2017) [IMDB:7.4 , Rotten Tomatoes: 74%, My Rating: 8.5]

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Miss Sloane is the best movie I have seen in 2017. It is also the best thriller I have seen in years. It is the most slick and well written movie I have seen in years. It is a cat and mouse game and even the veteran film-goers will find it difficult to guess the twists and turns the movie offers. Jessica Chastain plays the title role of a lobbyist with panache. She is a force of nature in her best performance after Zero Dark Thirty. The best thing about the movie is that it has a logical and coherent script which requires your full attention. If you blink during the movie, you may miss something vital onscreen. I am already a fan. Must watch.

Split (2017) [IMDB:7.3 , Rotten Tomatoes: 79%, My Rating: 7.0]

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After being pilloried by critics (and deservedly so) for many of his last few movies, Manoj Night Shyamalan returns to form in ‘Split’. With the use of some pseudo psychology, Shyamalan conjures up a story of a man who has close to two dozen personalities. James McAvoy seems to relish the role offered to him and plays it to perfection. Besides being a thriller, ‘Split’ brings in a considerable amount of philosophy and innocence into its theme. To the director’s credit, it never gets preachy. The box office numbers also vouch for its entertainment value. Made with a budget of less than a million, ‘Split’ grossed close to 140 million dollars.

Sandy Wexler (2017) [IMDB:5.1 , Rotten Tomatoes: 43%, My Rating: 6.0]

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Love him or hate him, Adam Sandler is the darling of  Netflix. His viewers could not be bothered with the critical reception of Sandler’s movies. He is one of the most watched stars on the Netflix platform. So he goes ahead and writes a story based on his long time manager. That movie is Sandy Wexler. Nothing great but mildly amusing with two or three funny scenes. That is enough for Sandler fans. If you are a Adam Sandler fan you may enjoy it. Better still, you can watch it on your next flight when you have nothing much to do other than inhale the recycled air. Even if you fall asleep doing it, you would not miss anything.

John Wick: Chapter 2 (2017) [IMDB:7.9 , Rotten Tomatoes: 89%, My Rating: 7.5]

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Keanu Reeves has a dead emotionless face. Or a hit man face, if you prefer. He fits the profile of the cold and efficient hit man in search of a reason to kill. The sequel to John Wick scores high again in the choreographed action sequences where flying bullets seem to have poetry writ on them. The setting is Rome and that does not hurt. If you liked the original, you will love the sequel. In case you missed the sleeper hit original, the sequel may be a good way to catch up on a movie which is as much fun as it is mindless.

Mindhorn (2017) [IMDB: 6.4, Rotten Tomatoes: 90%, My Rating: 6.0]

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Mindhorn is the typical British comedy filled with irreverence and a bonkers plot. A yesteryear star is called upon to aid the police in murder mystery. With the dual mission of resurrecting his career and finding some reason to be alive, Mindhorn accepts the invitation which is a convenient excuse for him to go on a nostalgia trip. Filled with characters who have that one Achilles heel in their personalities which make them in turns endearing and unreasonable, the movie delivers some genuine moments of humour. Those moments are not frequent enough and the movie sometimes descends into a charade.

Gifted (2017) [IMDB:7.7 , Rotten Tomatoes: 86%, My Rating: 7.0]

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The story of a child genius whose deceased mother shared the same description. The child who is in the custody of her uncle faces a legal quagmire when her grandmother enters her life. Though the plot has some loopholes, it is a generally satisfying movie to watch. The peripheral characters like the teacher at the school are forced into the screenplay and probably should not have had the screen time provided to her. Nonetheless, a decent one time watch for the thematic elements.

Documentary of the Week

O.J.: Made in America (2017) [IMDB:9.0 , Rotten Tomatoes: 100%, My Rating: 9.0]

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Although this documentary is close to eight hours long, it never gets boring or tedious. In fact, it is as good as reading an expert commentary on the saga of O J Simpson with a running thread of racial tensions in the US in the decades leading up to the infamous double murders. More than the fall from grace of an all American hero, it is the race relations and the justice system which are under the microscope. An illuminating documentary and worth the effort.

Eagerly waiting for: ‘An Inconvenient Sequel: Truth to Power’ because Al Gore can tell the truth on climate change, once again.

Did you know: ‘An Inconvenient Truth’ is the first documentary to win two Academy awards.

Edition 78

The Non-English Movie of The Week

Elle (France, 2016) [IMDB: 7.3, Rotten Tomatoes: 89%, My Rating: 7.5]

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Trailer

Isabelle Huppert is one of the finest actors of this generation. This movie is another proof of her acting prowess. She fills every frame of the movie and keeps the suspense going. There are shades of Basic Instinct, an earlier work of the director. The basic story is that of the protagonist playing a cat-and-mouse game with her unknown rapist. The complexity of the film is created by the numerous subplots  which are interlinked. The complicated back story of the protagonist  and her subsequent mistrust of police aid in storytelling. In the end all the subplots fall into place like that of a jigsaw puzzle. Maybe, it is this comfortable ending that won the film the Palme D’Or at the Cannes Film Festival. Highly recommended.

Movies I Saw This Week

Florence Foster Jenkins (2016) [IMDB: 7.0, Rotten Tomatoes: 87%, My Rating: 7.0]

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There’s something about Meryl Streep which keeps the viewer engaged even in a mediocre movie.  ‘Florence Foster Jenkins’ has no claim to greatness  but it is carried solely by the form shoulders of Meryl Streep ably supported by Hugh Grant.  For a director who won Meryl Streep last Best Actress Oscar for ‘The Queen’,  this is definitely not an improvement. The director is definitely successful in creating sympathy for Florence Foster Jenkins but the masses couldn’t care less for the fate of a troubled aristocrat. A movie on the world’s worst opera singer compares favorably with a movie on the world’s worst director. The latter titled ‘Ed Wood‘ was definitely a better work of art. At least, it had self-doubt.

Sully (2016) [IMDB: 7.5, Rotten Tomatoes: 85%, My Rating: 7.5]

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Clint Eastwood makes great movies. Tom Hanks  acts in great movies. Their combination to tell the story of an American hero in Captain Chesley Sullenberger is one of the best movies of the year. Like some of the previous Clint Eastwood movies there is no attempt at making the movie dramatic. At the same time, the movie cannot be classified as a character study as it only scratches the surface. Nevertheless, Tom Hanks pulls off with elan the role of a hero who is not aware of his heroic act.  Aaron Eckhart plays the best role of his life as the co-pilot. The thing about the ‘Miracle On Hudson’ is that it is one of those events which can hardly be ever repeated. Even the recreation of the movie isn’t enough to convince the viewer about the possibility of such an event. Perhaps that is where the movie had its task cut out and perhaps that is where it is not entirely successful. A shorter film of one hour would have done more justice to the plot.

Hell or High Water (2016) [IMDB: 7.7, Rotten Tomatoes: 98%, My Rating: 8.0]

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Undoubtedly one of the best movies of the year Hell or High Water is supported by a cast comprising of thespians like Jeff Bridges Chris Pine.  Set in the forgotten parts of America and resembling a Western, the high point of the movie is that it resists the urge to pull out the gun on various occasions. The simmering tension of the movie is felt till the last frame. Concurrently the movie makes a bold statement on the plight of Americans left behind by the forces of capitalism. Most of the anger is directed at big banks who seem to get away with murder. Consequently, bank robberies form the central theme of the movie. The story is that of two brothers who rob the same bank they owe, to avoid foreclosure. In between all the gloom and doom there are also some subtle humor like in the restaurant where the waiter  knows a limited menu.  Alas, the movie is a reaffirmation of the fact that Jeff Bridges is one of the finest actors alive today. Must watch.

Hunt for the Wilderpeople (2016) [IMDB: 7.9, Rotten Tomatoes: 97%, My Rating: 6.5]

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Following the success of his debut feature ‘What we do in the shadows’, the director’s second feature, ‘The hunt for the wilderpeople’, is a letdown. Indeed there are moments of humor in the movie but some of it seems forced and especially unexpected from a young child. The style of direction is a cross between that of Wes Anderson and Tim Burton. The movie tries to address some of the social issues but it soon turns to a farce. Set in the picturesque  mountains of New Zealand, it is also a peep into the life of the people at the margins of the society. I had a feeling that I had seen similar movies set in the America of 1980s. The only saving grace for the movie is that it does not bore the wits out of the viewer. The burden of high expectations seems to have taken a toll on the director.

The Light Between the Oceans (2016) [IMDB: 7.2, Rotten Tomatoes: 59%, My Rating: 6.5]

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The undeniable beauty of ‘The Light Between the Oceans’ is compromised by the cringingly sentimental storyline. Boasting such performers like Michael Fassbender, Alicia vikander and Rachel Weisz, The movie is unable to tap into the talent at its disposal.  By the second half, the movie sets  out on a predictable path. The film tells the tale of a young childless couple who one day find a baby marooned at sea. Some movies have difficult choices to make. The options at their disposal are equally worthwhile. Choosing one over the other is so precarious an exercise that this undermines the whole tale. That is the malady which effects this movie.

Deepwater Horizon (2016) [IMDB: 7.2, Rotten Tomatoes: 83%, My Rating: 6.5]

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The debacle at Deepwater Horizon was one of the biggest tragedies of the oil industry. From the BP CEO who infamously said, ” I’d like to have my life back” to the frontline soldiers of the company who lost their lives, the movie captures an event, the wounds of which are yet to heal.  Deepwater Horizon documents the events that happened on the fateful day of the tragedy. The template is the standard one used for all the disaster movies.  No great acting chops are expected yet competent performances are delivered. The movie captures the horror of the tragedy without deviating from the standard storyline. The movie is not particularly illuminating but some of it needs to be heard and seen.

War Dogs (2016) [IMDB: 7.2, Rotten Tomatoes: 71%, My Rating: 6.5]

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This movie could have been titled ‘It Happens Only in America’. Two neophytes receive a 300 million dollar defense contract. What follows is a series of games involving  arms traders and phoney businessmen. Jonah Hill is the big fat  dealer who will stop at nothing. The improbable story covers countries like Jordan, Albania and Iraq and is essntially the juvenile version of ‘Lord of War’. The film could have been taut and this aspect is particularly conspicuous. Otherwise, a decent watch.

The Siege of Jadotville (2016) [IMDB: 7.3, Rotten Tomatoes: 73%, My Rating: 6.5]

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This is the type of African tale which must be told.  Unfortunately they could have chosen a better story to tell.  Set in 1960s Congo in the midst of a Civil War,  the movie captures the fate of neutral United Nations Peacekeeping Force which does not receive support from the government, the opposition or the rebels. To make matters worse, they don’t even  receive support from the United Nations.  They are pawns in a bigger political game whic involves mining companies, colonial powers, world superpowers and a fledgling government. They are left to battle for survival against formidable odds.  The low production quality of Netflix is evident in this movie. Unfortunately, it is a story about heroes who need to be remembered and it does not get the treatment it deserves.

Don’t Think Twice (2016) [IMDB: 6.9, Rotten Tomatoes: 99%, My Rating: 7.5]

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‘Don’t Think Twice’ is one of the best movies of the year  until the last 10 % of the movie  when it gets  cloyingly sweet.  The movie has freshness written all over it. It tells the tale of a group of actors and how the Dynamics between them changes when one of them is chosen for a starring role in a television program. The movie is littered with instances of wit and humor. The young actors in the movie give it the credibility  it seeks. Recommended.

Documentary of the Week

Weiner (2016) [IMDB: 7.7, Rotten Tomatoes: 97%, My Rating: 8.0]

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Anthony Weiner was once the young Turk among democrats. His fall from grace and the unraveling of his personal life are captured in this intimate documentary. One of the best documentaries of the year.

Eagerly waiting for: ‘A United Kingdom’ which tells the true life story of a Botswanian prince who married a British lady.

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Did you know: ‘La La Land’ now holds the record for the most Golden Globe wins by a film.

Edition 77

The Non-English Movie of The Week

Cemetery of Splendor (Thailand, 2015) [IMDB: 7.1, Rotten Tomatoes: 97%, My Rating: 7.5]

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‘Cemetery of Splendor’ is a hypnotic masterpiece from the Palme D’or winner Apichatpong Weerasethakul. Continuing his passion for metaphysics from his previous movies like ‘Uncle Boonmee Who Can Recall His Past Lives’ and ‘Syndromes and a Century’, the director dwells on a peculiar sleeping disease that strikes a group of soldiers in Thailand. With understated humour and purposeful pacing the director is able to take the movie to an exalted level without compromising on the story line. Highly recommended for those who seek something different.

Movies I Saw This Week

The Fundamentals of Caring (2016) [ IMDB:7.4, Rotten Tomatoes: 84%, My Rating: 6.5]

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Trevor suffers from muscular dystrophy and a bad sense of humour. He embarks on a road trip with his caregiver. The movie is about the people they meet and the bond that develops between them as they progress through their rollercoaster of a journey. Cliched to the hilt, the movie is saved from disaster by the performance of the ensemble cast. Paul Rudd especially stands out but his role could have been more well rounded if there had been some better writing. Overall, an easy movie to watch and an easier one to forget.

Me Before You (2016) [IMDB: 7.5, Rotten Tomatoes: 75%, My Rating: 6.5]

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Syrupy romance of a couple divided by class and wealth. Haven’t we heard that before? Here the man is wheelchair bound. The caregiver is a sassy girl who is blind to the thoughts of her subject. What follows is a predictable movie where anything goes. In fact, there are scenes in this movie which are an exact replica of the scenes in ‘The Fundamentals of Caring’. This is not to say that scenes have been copied but it clearly shows the lack of strong screenplay or even the intention of having one. If the movie doesn’t sink, it is because of the featherweight screenplay. Some gravitas to the proceedings is given by the strong and bubbly performance of Emilia Clarke. Otherwise there isn’t much to talk about.

Demolition (2016) [IMDB: 7.1, Rotten Tomatoes:57%, My Rating: 5.5]

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Despite the availability of an acclaimed star cast and a moderately successful director, ‘Demolition’ is a movie in self-destruct mode almost paying a tribute to its title. A banker recovering from the tragic loss of his wife finds himself at the crossroads. Unable to reconcile with his present day life, he starts searching for answers in the past. The confused narrative and the weak attempts to give depth to the story end up making a mess of the screenplay. The movie at its best is watchable and in most parts avoidable.

Tumbledown (2016) [IMDB:6.3, Rotten TOmatoes: 69%, My Rating: 6.5]

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A wife grieving the loss of her husband finds a new beginning with the help of a new friend and some music. The movie does give a feel of ‘have been there and done that’. The inspired writing helps the movie to rise above mediocrity. Rebecca Hall who is present in almost every frame of the movie plays her part convincingly. The effective background score and cinematography aid her. ‘Tumbledown’ is an an antithesis of ‘Demolition’ in every conceivable way. Good that we have a choice and ‘Tumbledown’ is the hands down winner.

Green Room (2016) [IMDB: 7.1, Rotten Tomatoes: 91%, My Rating: 7.0]

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From the soulful ‘Tumbledown’ to the punk rock of ‘Green Room’ may not be the transition you were looking for. A band on the run from a crime scene forms the crux of what ‘Green Room’. The director exploits the limits of the genre while bending a few rules in this edge of the seat thriller once the chase starts. Populated by psychopaths and neo-nazis, the bleak setting is not a constraint for some subtle comedy as well. All in all a breeze to watch. Highly recommended.

The Brothers Grimsby (2016) [IMDB:6.2, Rotten Tomatoes: 37%, My Rating: 4.0]

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In cinema there are not many worse spectacles than comedy which is stale. ‘Dicatator’ was funny. ‘Borat’ had its moments but this one is defined by its lack of humour. Granted that we are not looking for high brow comedy from Sacha Baron Cohen but even his gigs and buffoonery don’t justify the existence of this plot less wonder. Bereft of any logic, trying to hard to be comic and attempting to look chic, the movie falls flat on its face. Avoidable.

The Ridiculous 6 (2015) [IMDB:4.9, Rotten Tomatoes:0%, My Rating: 2.0]

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I have some good news and some bad news. The good news (for Adam Sandler) is that he has been signed by Netflix for a multiple movie contract. The bad news is that this is only the first movie in the series. Plagued by problems during production including accusations of racism on the sets, the movie is strictly for racist Adam Sandler fans. The movie is an insult to intelligence with a particularly bad portrayal of native Americans. Unfortunately the movie had the best opening on Netflix which is also a sad commentary on the state of the American society.

Documentary of the Week

(Dis)Honesty : The Truth About Lies (2015) [IMDB: 7.5, Rotten Tomatoes: 88%, My Rating: 7.5]

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From the Dean of Admissions at MIT to bankers, there is a problem of dishonesty. A documentary that delves into the reasons for dishonesty. Highly recommended.

Eagerly waiting for: ‘Sully’ starring Tom Hanks and directed by Clint Eastwood.

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Did you know: ‘Mulholland Drive’ topped BBC’s list of 21st century’s greatest films.