Edition 89

The Non-English Movie of The Week

Audition (Japan, 1999) [IMDB: 7.2, Rotten Tomatoes: 81%, My Rating: 8.0]

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‘Audition’ launched the Japanese high-brow horror genre along with the more widely viewed ‘Ringu’. ‘Audition’ is a more layered and complex venture than Ringu. Watching ‘Audition’ is akin to peeling onions. Painful to watch for the sheer tragedy that unfolds, ‘Audition’ is that rare thriller-horror movie which slowly grows on you. A widower holds a fake casting call to find his next life partner. The enigmatic lady who catches his attention is the lady of his dreams. The dreams soon turn to nightmares as the master director takes you on a ride well worth the build-up. Watch ‘Audition’ if you have the courage to sit through silent horror.

Movies I Saw This Week

American Animals [IMDB: 7.2, Rotten Tomatoes: 85%, My Rating: 7.5]

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Based on a true story of a bungled art heist, ‘American Animals’ tells the story of a few millennials who repeatedly fail to see the lines they are willing to blur to achieve instant wealth. Interspersed with interviews of the real life characters, the movie plays out more as a dark comedy than a thriller. With the foregone conclusion of the denouement, the movie is a stark portrayal of how much naivety and indecision went into a plan notable more for the lack of a coherent plan. What is baffling about the crime itself is that the perpetrators did not meet the standard definition of criminals. One of them came from a stable family, another was good at academics and a third one was almost a serial entrepreneur. The distrust in the team is evident as they recollect past events in which their narratives are full of contradictions. American Animals is a character study of millennials for whom the idea of what is right or wrong is more grey than black or white.

Hereditary [IMDB: 7.5, Rotten Tomatoes: 89%, My Rating: 7.5]

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From writer-director Ari Aster comes a tale of a family discovering unpleasant secrets with the added tension of an unfolding horror show. The talented and underappreciated Toni Collette mourns death in her family and learns more about death itself as we progress in this instant horror classic. The clues are there from the first frame itself. I don’t want to spoil the fun by revealing more. Go watch it.

Game Night [IMDB: 7.0, Rotten Tomatoes: 83%, My Rating:6.0 ]

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Rachel McAdams and Jason Bateman star as a star-crossed couple who land up in situations they never bargained for. A motley group of characters ranging from a spooky neighbour to a high flying brother keep the action going in this mad caper. McAdams and Bateman who meet at a game night and marry, continue their proud tradition of hosting game nights. It is during one of those nights that things go berserk. What follows is a sequence of events which is mildly amusing. The best part of the movie is the end sequence with some side jabs to even Harvard University. Recommended if you have the time to spend on movies which require minimum amount of your grey cells to function.

Set It Up [IMDB: 6.5, Rotten Tomatoes: 90%, My Rating: 7.0 ]

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The thing about this Netflix flick is that if you have low expectations, you are in for a surprise. Smartly written and directed with panache, ‘Set it Up’ is a mini revival of the romantic comedy genre which was more or less on life support. Romantic comedy as a genre has been conveniently given the short shrift by the big Hollywood studios in the last decade or so. In ‘Set it Up’, two overworked office slaves plot to make their bosses fall in love with the express intention of lessening their own workload. The best thing about the movie is that it never bores you and that is a big achievement when it is a romantic comedy. Watch it if you like movies as smooth as Teflon.

Chappaquiddick [IMDB: 6.5, Rotten Tomatoes: 80%, My Rating: 7.5]

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The Kennedy family was the original first family of the US till the Clintons and Bushs turned up. The senior Kennedy was the first head of the Securities and Exchange Commission. Besides the obvious fame of John and Robert Kennedy, the Kennedys have had a hand in many pies from founding the Special Olympics to creating the California Museum. The enigmatic yet respected figure in the family was the only surviving male child of the senior Kennedy. Ted Kennedy had to live a life of expectations and the burden of his other brothers’ popularity. Ted also had an infamous criminal event which besmirched his reputation and put an end to any hopes of reaching the highest office in the nation. ‘Chappaquiddick’ is a faithful and contentious retelling of the events that cast a long shadow on the legacy of Ted Kennedy. The movie is engrossing for the material it handles and does not hold back any punches on the culpability of Ted Kennedy. Ted Kennedy swings between the courage of his convictions and the urgency of self-preservation in this crisp thriller.

The Guernsey Literary and Potato Peel Pie Society [IMDB: 7.4, Rotten Tomatoes: 82%, My Rating: 7.0 ]

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First things first. The best thing about the movie is the title. It is almost irresistible not to watch a movie with such a title. The novelty of the title wears off once you are told of the origin story. The movie is mostly passable stuff from the director who brought us a mini classic like ‘Four Weddings And A Funeral’. Intrigued by the correspondence she receives; a fledgling author decides to take a trip to Guernsey. There she gets embroiled in the mysterious case of a missing woman. As she tries to unravel the secrets of the island, she not only discovers the truth but also herself. Though the movie is largely watchable, I have this sneaky feeling that the novel which formed the source material must be better.

Little Pink House [IMDB: 6.5, Rotten Tomatoes: 74%, My Rating: 6.5]

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The bone of contention in this movie is the question of whether the government has the right to take away your land for passing it to other private parties. Based on litigation which went all the way to the Supreme Court of USA, this movie is a faithful and unfortunately tepid retelling of an event which caused much consternation in the general populace. The movie has an unfocused approach where it plays out well neither as a drama nor as a courtroom thriller. At the centre is an unwilling protagonist who is only willing to test the water but not take the plunge into the heart of the issue. (Spoilers Ahead) Since there is hardly any scope for celebrating a case which was lost in the court but won outside of it through attrition, the demand is on the viewer to see the bigger picture.

Adrift [IMDB: 6.6, Rotten Tomatoes: 73%, My Rating: 6.5 ]

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Produced by Shailene Woodley who also plays the lead, ‘Adrift’ tells the true story of a lady who was lost at sea for weeks and had to gather her wits to survive. ‘Adrift’ is mostly off target when it shows the sights of the sea and the despair of the sailor. The oxygen supply to the movie is provided by the scenes of flashback that come with comforting frequency in a movie told in the flashback – flash forward format. The flashback scenes make the movie endearing and build the much-needed emotional element to the movie. This could have been a better movie if it had a better director, a better music director and a better editor.

Documentary of the Week

Robin Williams: Come Inside My Mind [IMDB: 8.0, Rotten Tomatoes: 97%, My Rating: 7.5 ]

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A peek inside the life of Robin Williams. The man behind the jovial characters he played on screen.

Eagerly waiting for: ‘Fahrenheit 11/9’

Did you know: George Clooney was the highest earning actor in the world last year but most of his income came from his ‘Casamigos Tequila’ business.

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Edition 77

The Non-English Movie of The Week

Cemetery of Splendor (Thailand, 2015) [IMDB: 7.1, Rotten Tomatoes: 97%, My Rating: 7.5]

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‘Cemetery of Splendor’ is a hypnotic masterpiece from the Palme D’or winner Apichatpong Weerasethakul. Continuing his passion for metaphysics from his previous movies like ‘Uncle Boonmee Who Can Recall His Past Lives’ and ‘Syndromes and a Century’, the director dwells on a peculiar sleeping disease that strikes a group of soldiers in Thailand. With understated humour and purposeful pacing the director is able to take the movie to an exalted level without compromising on the story line. Highly recommended for those who seek something different.

Movies I Saw This Week

The Fundamentals of Caring (2016) [ IMDB:7.4, Rotten Tomatoes: 84%, My Rating: 6.5]

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Trailer

Trevor suffers from muscular dystrophy and a bad sense of humour. He embarks on a road trip with his caregiver. The movie is about the people they meet and the bond that develops between them as they progress through their rollercoaster of a journey. Cliched to the hilt, the movie is saved from disaster by the performance of the ensemble cast. Paul Rudd especially stands out but his role could have been more well rounded if there had been some better writing. Overall, an easy movie to watch and an easier one to forget.

Me Before You (2016) [IMDB: 7.5, Rotten Tomatoes: 75%, My Rating: 6.5]

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Syrupy romance of a couple divided by class and wealth. Haven’t we heard that before? Here the man is wheelchair bound. The caregiver is a sassy girl who is blind to the thoughts of her subject. What follows is a predictable movie where anything goes. In fact, there are scenes in this movie which are an exact replica of the scenes in ‘The Fundamentals of Caring’. This is not to say that scenes have been copied but it clearly shows the lack of strong screenplay or even the intention of having one. If the movie doesn’t sink, it is because of the featherweight screenplay. Some gravitas to the proceedings is given by the strong and bubbly performance of Emilia Clarke. Otherwise there isn’t much to talk about.

Demolition (2016) [IMDB: 7.1, Rotten Tomatoes:57%, My Rating: 5.5]

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Despite the availability of an acclaimed star cast and a moderately successful director, ‘Demolition’ is a movie in self-destruct mode almost paying a tribute to its title. A banker recovering from the tragic loss of his wife finds himself at the crossroads. Unable to reconcile with his present day life, he starts searching for answers in the past. The confused narrative and the weak attempts to give depth to the story end up making a mess of the screenplay. The movie at its best is watchable and in most parts avoidable.

Tumbledown (2016) [IMDB:6.3, Rotten TOmatoes: 69%, My Rating: 6.5]

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A wife grieving the loss of her husband finds a new beginning with the help of a new friend and some music. The movie does give a feel of ‘have been there and done that’. The inspired writing helps the movie to rise above mediocrity. Rebecca Hall who is present in almost every frame of the movie plays her part convincingly. The effective background score and cinematography aid her. ‘Tumbledown’ is an an antithesis of ‘Demolition’ in every conceivable way. Good that we have a choice and ‘Tumbledown’ is the hands down winner.

Green Room (2016) [IMDB: 7.1, Rotten Tomatoes: 91%, My Rating: 7.0]

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From the soulful ‘Tumbledown’ to the punk rock of ‘Green Room’ may not be the transition you were looking for. A band on the run from a crime scene forms the crux of what ‘Green Room’. The director exploits the limits of the genre while bending a few rules in this edge of the seat thriller once the chase starts. Populated by psychopaths and neo-nazis, the bleak setting is not a constraint for some subtle comedy as well. All in all a breeze to watch. Highly recommended.

The Brothers Grimsby (2016) [IMDB:6.2, Rotten Tomatoes: 37%, My Rating: 4.0]

the brothers grimsby

Trailer

In cinema there are not many worse spectacles than comedy which is stale. ‘Dicatator’ was funny. ‘Borat’ had its moments but this one is defined by its lack of humour. Granted that we are not looking for high brow comedy from Sacha Baron Cohen but even his gigs and buffoonery don’t justify the existence of this plot less wonder. Bereft of any logic, trying to hard to be comic and attempting to look chic, the movie falls flat on its face. Avoidable.

The Ridiculous 6 (2015) [IMDB:4.9, Rotten Tomatoes:0%, My Rating: 2.0]

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I have some good news and some bad news. The good news (for Adam Sandler) is that he has been signed by Netflix for a multiple movie contract. The bad news is that this is only the first movie in the series. Plagued by problems during production including accusations of racism on the sets, the movie is strictly for racist Adam Sandler fans. The movie is an insult to intelligence with a particularly bad portrayal of native Americans. Unfortunately the movie had the best opening on Netflix which is also a sad commentary on the state of the American society.

Documentary of the Week

(Dis)Honesty : The Truth About Lies (2015) [IMDB: 7.5, Rotten Tomatoes: 88%, My Rating: 7.5]

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From the Dean of Admissions at MIT to bankers, there is a problem of dishonesty. A documentary that delves into the reasons for dishonesty. Highly recommended.

Eagerly waiting for: ‘Sully’ starring Tom Hanks and directed by Clint Eastwood.

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Did you know: ‘Mulholland Drive’ topped BBC’s list of 21st century’s greatest films.