The Non-English Movie of The Week
The Insult (Lebanon, 2017) [IMDB: 7.7, Rotten Tomatoes: 99%, My Rating: 7.0]
Lebanon is a hotbed of sectarian politics. The nation has strong contingents of Christian and Muslim denominations. Palestinian refugees constitute 10% of the population of Lebanon. It is in this powder keg that ‘The Insult’ is set. A Christian citizen of Lebanon sues a Muslim Palestinian refugee, and the events that ensue form the crux of the story. Up in the air is not just a legal question but decades old raw wounds which guide the motives of all the actors in the flick. Unfortunately, with revelations about the accused and the accuser, the story ties itself in knots. The director chooses the safest exit route by conceding partly to all involved. This only leads to an ending which is safe and is a big letdown for a movie which oozes with tension and drama for the large majority of its running time.
Movies I Saw This Week
22 July (2018) [IMDB: 6.8, Rotten Tomatoes: 79%, My Rating: 6.5]
Paul Greengrass is a master at telling tales of tension and thrill. His success was undeniable in the Bourne Series and ‘United 93’ and to a lesser extent in ‘Captain Phillips’. In ’22 July’, he takes the viewer to the gory tragedy that unfolds at Utoya island, Norway where a right wing white supremacist (there is no need to name and glorify him) guns down 69 campers after already taking the life of 8 others with an explosion in Oslo. The tragedy and its aftermath are captured in this movie which is based on the more harrowing book ‘One of Us’. The movie is absolutely engaging in the first half but soon loses steam as it progresses. The focus is diluted by two strands that develop in the story. In many instances the killer is made to look reasonable. There is no outright condemnation of the monster and the lawyer who takes up his case begins with the intention of helping his client get away scot-free. The tragedy raises questions on the need for death penalty. If Hitler did not commit suicide and was caught by Norwegians, what would they have done with him?
A Prayer Before Dawn (2018) [IMDB: 6.9, Rotten Tomatoes: 91%, My Rating: 7.5]
Based on a true story and a best selling book, this movie takes you inside the harsh prison life in Thailand and the contact sport of Muay Thai. Englishman Billy Moore finds a little bit of love, life and redemption as he navigates through the violence, abuse and underworld, serving his three year sentence. Notable for the gritty and realistic performances, ‘A prayer Before Dawn’ is a richly rewarding experience for those who have the patience to sit through the ordeal of real action sequences and shocking scenes of abuse.
Andhadhun (2018) [IMDB: 9.1, Rotten Tomatoes: 100%, My Rating: 8.5]
Hands down the best Hindi movie of the year, ‘Andhadhun’ reaffirms my belief that Sriram Raghavan is the best director in India when it comes to making a taut thriller. For those who are not convinced yet, watch ‘Johnny Gaddaar’ or the more complex ‘Badlapur’. Andhadhun is the story of a pianist who pretends to be blind and then ‘witnesses’ a murder. The ball is set rolling from that moment and the myriad characters who appear (and some disappear) on the screen lead to a finale which is more clever than tense. The best thing about the movie is that it keeps the viewer engaged from start to end with well formed characters and great performances. There is even scope for some fun in the form of a Chaplinesque sequence with the piano playing in the background as a corpse is packed for disposal. Must see.
Mandy (2018) [IMDB: 6.8, Rotten Tomatoes: 93%, My Rating: 7.5]
The much maligned Nicolas Cage who was quietly riding into cinematic oblivion with duds piling up in the last few years, finds a comeback in a movie where you would least expect any redemption. In a movie reminiscent of grindhouse flicks, director Panos Cosmatos invites the viewer to a surreal experience of blood letting and horrific violence. Cage plays a man who is out to avenge his wife’s murder by a religious cult. From the word go, the movie with its distinct colour scheme and weird background score embarks on a cycle of gratuitous violence. Watching this movie requires oodles of patience and zero sensitivity to dismemberment of body parts or gushing of blood. Still, recommended.
Leave No Trace (2018) [IMDB: 7.3, Rotten Tomatoes: 100%, My Rating: 8.0]
Seldom does a movie so simple arrest attention like ‘Leave No Trace’. This is a movie which must be seen and is an absolute joy to watch. A father and daughter live in the woods and they prefer life that way. When they are discovered, their world starts unfolding. Packed with empathy and wisdom, ‘Leave No Trace’ is a character study with a matching screenplay. I wish there were more movies like this one.
Paterno (2018) [IMDB: 6.5, Rotten Tomatoes: 72%, My Rating: 7.0]
Paterno was the head coach of the football team which was at the centre of the abuse scandal that engulfed Penn State University. The movie is a competent one made better by Al Pacino who is in fine form playing the title character. The real star in the real world though is the young local reporter who revealed the truth to the world and went on to win a Pulitzer for the same. Though sympathetic to Paterno for long stretches, the movie ends with a scene which shows the culpability and reveals the culture of silence which kept the scandal under wraps for a long time. ‘Paterno’ is not a great movie but one worth watching.
The Wife (2018) [IMDB: 7.3, Rotten Tomatoes: 85%, My Rating: 6.5]
Glenn Close is heavily tipped to receive an Oscar nomination for her role as an enigmatic wife in this family drama that somehow reaches the finish line while struggling to hold the attention of the viewer. The big revelation in the movie does not take the viewer by surprise as enough hints are given during the course of the movie. The actors are in fine form with Christian Slater playing an annoying character which just requires him to be himself. For other ‘gems’ of Christian Slater watch movies like Basil (1998). As for ‘The Wife’, it is for the viewer to decide if the good lead performances make up for a biting lack of authenticity in a drama about a winner of the Nobel prize in literature.
Kayamkulam Kochunni (2018) [IMDB: 7.9, Rotten Tomatoes: Not Rated, My Rating: 7.0]
The legendary thief who even has a temple to his name for his good samaritan acts is reborn on the big screen. An incredibly lucky Nivin Pauly seems to get all the right roles even when it is glaringly evident that his histrionic skills are not up to the mark. The movie itself keeps the viewer engaged even when the screenplay fails to offer anything fresh. Some of the songs in the movie are absolutely unnecessary and plain regressive. Nevertheless, the movie deserves appreciation for trying.
Documentary of the Week
Three Identical Strangers (2018) [IMDB: 7.8, Rotten Tomatoes: 95%, My Rating: 8.5]
An incredible true story about three identical brothers separated at birth and reunited as teenagers. One of the best documentaries I have seen.
Eagerly waiting for: ‘Shoplifters’, winner of the Palme d’Or 2018 releasing in the US on 23 November.
Did you know: The movie ‘Arsenal (2017)‘ is still rated 4.0 on IMDB. As of today, Arsenal football club are in their ‘traditional’ 4th spot in the Premier League.